000 02853cam a2200349Ii 4500
001 ocn918149283
003 OCoLC
005 20240726104959.0
008 150813s2015 nyua ob 001 0 eng d
040 _aNT
_beng
_erda
_epn
_cNT
_dNT
020 _a9781316319567
_q((electronic)l(electronic)ctronic)
050 0 4 _aBF1589
_b.M345 2015
049 _aNTA
100 1 _aCopenhaver, Brian P.,
_e1
245 1 0 _aMagic in Western culture :
_bfrom antiquity to the Enlightenment /
_cBrian P. Copenhaver (University of California, Los Angeles).
260 _aNew York, NY :
_bCambridge University Press,
_c(c)2015.
300 _a1 online resource :
_billustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
520 0 _a"The story of the beliefs and practices called 'magic' starts in ancient Iran, Greece, and Rome, before entering its crucial Christian phase in the Middle Ages. Centering on the Renaissance and Marsilio Ficino - whose work on magic was the most influential account written in premodern times - this groundbreaking book treats magic as a classical tradition with foundations that were distinctly philosophical. Besides Ficino, the premodern story of magic also features Plotinus, Iamblichus, Proclus, Aquinas, Agrippa, Pomponazzi, Porta, Bruno, Campanella, Descartes, Boyle, Leibniz, and Newton, to name only a few of the prominent thinkers discussed in this book. Because pictures play a key role in the story of magic, this book is richly illustrated"--
_cProvided by publisher.
504 _a2
505 0 0 _aMachine generated contents note: Part I. Introduction: 1. The scruples of J. G. Frazer; 2. Magic as a classical tradition and its philosophical foundations; Part II. Mageia: 3. Ancient philosophy in Ficino's magic I: Plotinus; 4. Ancient philosophy in Ficinio's magic II: Neoplatonism and the Chaldaean Oracles; 5. Ancient philosophy in Ficino's magic III: Hermes and Proclus; 6. Scholastic philosophy in Ficino's magic; 7. Data: a tale of two fish; Part III. Hermetica: 8. Hermes the theologian; 9. Hermes domesticated; 10. Hermes on parade; Part IV. Magic Revived and Rejected: 11. How to do magic, and why; 12. Nature, magic, and the art of picturing; 13. The power of magic and the poverty of erudition; 14. Disenchantment; Part V. Conclusion: 15. Who killed Dabholkar?.
530 _a2
_ub
650 0 _aMagic
_xHistory.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1020119&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hBF
_m2015
_QOL
_R
_x
_8NFIC
_2LOC
994 _a02
_bNT
999 _c84862
_d84862
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell