000 | 02853cam a2200349Ii 4500 | ||
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001 | ocn918149283 | ||
003 | OCoLC | ||
005 | 20240726104959.0 | ||
008 | 150813s2015 nyua ob 001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dNT |
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020 |
_a9781316319567 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aBF1589 _b.M345 2015 |
049 | _aNTA | ||
100 | 1 |
_aCopenhaver, Brian P., _e1 |
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245 | 1 | 0 |
_aMagic in Western culture : _bfrom antiquity to the Enlightenment / _cBrian P. Copenhaver (University of California, Los Angeles). |
260 |
_aNew York, NY : _bCambridge University Press, _c(c)2015. |
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_a1 online resource : _billustrations |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_a"The story of the beliefs and practices called 'magic' starts in ancient Iran, Greece, and Rome, before entering its crucial Christian phase in the Middle Ages. Centering on the Renaissance and Marsilio Ficino - whose work on magic was the most influential account written in premodern times - this groundbreaking book treats magic as a classical tradition with foundations that were distinctly philosophical. Besides Ficino, the premodern story of magic also features Plotinus, Iamblichus, Proclus, Aquinas, Agrippa, Pomponazzi, Porta, Bruno, Campanella, Descartes, Boyle, Leibniz, and Newton, to name only a few of the prominent thinkers discussed in this book. Because pictures play a key role in the story of magic, this book is richly illustrated"-- _cProvided by publisher. |
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505 | 0 | 0 | _aMachine generated contents note: Part I. Introduction: 1. The scruples of J. G. Frazer; 2. Magic as a classical tradition and its philosophical foundations; Part II. Mageia: 3. Ancient philosophy in Ficino's magic I: Plotinus; 4. Ancient philosophy in Ficinio's magic II: Neoplatonism and the Chaldaean Oracles; 5. Ancient philosophy in Ficino's magic III: Hermes and Proclus; 6. Scholastic philosophy in Ficino's magic; 7. Data: a tale of two fish; Part III. Hermetica: 8. Hermes the theologian; 9. Hermes domesticated; 10. Hermes on parade; Part IV. Magic Revived and Rejected: 11. How to do magic, and why; 12. Nature, magic, and the art of picturing; 13. The power of magic and the poverty of erudition; 14. Disenchantment; Part V. Conclusion: 15. Who killed Dabholkar?. |
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_a2 _ub |
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_aMagic _xHistory. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1020119&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hBF _m2015 _QOL _R _x _8NFIC _2LOC |
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_a02 _bNT |
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_c84862 _d84862 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |