000 | 02018cam a2200337Ki 4500 | ||
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001 | ocn911200383 | ||
003 | OCoLC | ||
005 | 20240726104958.0 | ||
008 | 150619s2015 maua ob 001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dOCLCO _dYDXCP _dCOO _dEBLCP _dVLB _dYDX _dJBG _dIDB _dOCLCQ _dMOR _dCCO _dNRC _dOCLCQ _dU3W _dUUM _dOCLCQ _dWYU _dLVT _dTKN _dLVT _dAU@ _dOCLCQ _dOCLCO _dJSTOR |
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020 |
_a9780674425781 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aPN1356 _b.T446 2015 |
049 | _aMAIN | ||
100 | 1 |
_aCuller, Jonathan D., _e1 |
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245 | 1 | 0 | _aTheory of the lyric /Jonathan Culler. |
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_aCambridge, Massachusetts : _bHarvard University Press, _c(c)2015. |
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300 |
_a1 online resource (x, 391 pages) : _billustrations |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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504 | _a2 | ||
505 | 0 | 0 |
_aAn inductive approach. Nine poems -- _tFour parameters -- _tLyric as genre. Notions of genre -- _tLyric history -- _tLyric genre -- _tTheories of the lyric. Hegel -- _tImitation speech acts or epideixis? -- _tPerformative and performance -- _tRhythm and repetition. Meter -- _tRhythm -- _tSound and repetition -- _tLyric address. Address to listeners or readers -- _tAddressing other people -- _tApostrophe -- _tLyric structures. Mapping the lyric -- _tLyric hyperbole -- _tDramatic monologue -- _tFraming past events -- _tThe lyric present -- _tLyric and society. Engagement and disengagement -- _tThree examples -- _tAdorno's dialectic -- _tTangling with ideology. |
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_a2 _ub |
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650 | 0 |
_aLyric poetry _xHistory and criticism. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1006650&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN _m2015 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c84804 _d84804 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |