000 | 03358cam a2200469Mi 4500 | ||
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001 | ocn908981764 | ||
003 | OCoLC | ||
005 | 20240726104957.0 | ||
008 | 150202s2015 pau ob 001 0 eng d | ||
040 |
_aP@U _beng _epn _erda _cP@U _dOCLCO _dYDXCP _dEBLCP _dNT _dCDX _dIDEBK _dE7B _dJSTOR _dOCLCQ _dCUS _dOCLCQ _dICA _dAGLDB _dOCLCQ _dOCLCO _dOCLCQ _dIOG _dEZ9 _dOCLCQ _dOCLCF _dVTS _dINT _dAU@ _dOCLCQ _dLVT _dSTF _dJBG _dM8D _dOCLCQ _dOCLCO _dUKAHL _dOCL _dUKSSU _dAJS _dOCLCA _dOCLCQ _dOCL _dOCLCO _dOCLCA _dOCL _dOCLCO _dLUU _dOIP |
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020 |
_a9780822980391 _q((electronic)l(electronic)ctronic) |
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043 | _an-usc-- | ||
050 | 0 | 4 |
_aE83 _b.R436 2015 |
049 | _aMAIN | ||
100 | 1 |
_aBrown, Nicholas A., _e1 |
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245 | 1 | 0 |
_aRe-collecting Black Hawk : _blandscape, memory, and power in the American Midwest / _cNicholas A. Brown and Sarah E. Kanouse. |
260 |
_aPittsburgh, PA : _bUniversity of Pittsburgh Press, _c(c)2015. |
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300 | _a1 online resource (xi, 279 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aCulture, Politics, and the Built Environment | |
504 | _a2 | ||
505 | 0 | 0 |
_tWe Are Still Here to Tell Their Stories and to Add Our Own / _rGeorge Thurman -- _tIowa -- _tThey Don't Even Want Our Bones: An Interview with Johnathan Buffalo / _rNicholas A. Brown -- _tWisconsin -- _tEven Though He Had a Native Person Standing in Front of Him, He Just Did Not See Me: An Interview with Sandra Massey / _rSarah E. Kanouse -- _tIllinois -- _tWe Have More Important Work to Do within Ourselves First: An Interview with Yolanda Pushetonequa / _rSarah E. Kanouse -- _tMakataimeshekiakiak, Settler Colonialism, and the Specter of Indigenous Liberation / _rDylan A.T. Miner -- _tCODA -- _tMinnesota's Sesquicentennials and Dakota People: Remembering Oppression and Invoking Resistance / _rWaziyatawin. |
520 | 0 | _aThe name Black Hawk permeates the built environment in the upper midwestern United States. It has been appropriated for everything from fitness clubs to used car dealerships. Makataimeshekiakiak, the Sauk Indian war leader whose name loosely translates to "Black Hawk," surrendered in 1832 after hundreds of his fellow tribal members were slaughtered at the Bad Axe Massacre. Re-Collecting Black Hawk examines the phenomena of this appropriation in the physical landscape, and the deeply rooted sentiments it evokes among Native Americans and descendants of European settlers. Nearly 170 original pho | |
530 |
_a2 _ub |
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650 | 0 |
_aWhite people _zMiddle West _xRelations with Indians. |
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650 | 0 |
_aCollective memory _zMiddle West. |
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650 | 0 |
_aIndians in popular culture _zMiddle West. |
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650 | 0 |
_aSauk Indians (Algonquian) _xHistoriography. |
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650 | 0 |
_aCultural landscapes _zMiddle West. |
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650 | 0 |
_aNames _zMiddle West. |
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650 | 0 |
_aNames, Geographical _zMiddle West. |
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650 | 0 |
_aBlack Hawk War, 1832 _xInfluence. |
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655 | 1 | _aElectronic Books. | |
700 | 1 |
_aKanouse, Sarah E., _e1 |
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856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1001037&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hE. _m2015 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c84729 _d84729 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |