000			03382cam a2200373Ki 4500
001			ocn908192409
003			OCoLC
005			20240726104954.0
008			150430s2015 mau ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dCDX _dE7B _dYDXCP _dEBLCP _dDEBSZ _dYDX _dJBG _dIDB _dOCLCQ _dMOR _dOCLCQ _dDEGRU _dCHVBK _dOCLCF _dOCLCO _dBUF _dSTF _dMERUC _dOCLCQ _dG3B _dIGB _dYOR _dJSTOR
020			_a9780674286566 _q((electronic)l(electronic)ctronic)
050	0	4	_aK1447 _b.W438 2015
049			_aMAIN
100	1		_aDrassinower, Abraham, _d1962- _e1
245	1	0	_aWhat's wrong with copying? /Abraham Drassinower.
260			_aCambridge, Massachusetts : _bHarvard University Press, _c(c)2015.
300			_a1 online resource (xi, 272 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction: the horror of the copy -- _tThe poverty of value -- _tOriginality as speaking in one's own words -- _tThe work as a work -- _tInfringement as compelled speech -- _tThe public domain as dialogue -- _tCopyright and the system of rights -- _tA note on copyright citizenship.
520	0		_a"Copyright law, as conventionally understood, serves the public interest by regulating the production and dissemination of works of authorship, though it recognizes that the requirements of the public interest are in tension. Incentives for creation must be provided, but protections granted authors must not prevent the fruits of creativity and knowledge from spreading. Copyright law, therefore, should balance the needs of creators and users--or so the theory goes. Challenging this widely accepted view, What's Wrong with Copying? disentangles copyright theory from its focus on the economic value of an authored work as a commodity or piece of property. In his analysis of copyright doctrine, Abraham Drassinower frames an author's work as a communicative act and asserts that copyright infringement is best understood as an unauthorized appropriation of another person's speech. According to this interpretation, copyright doctrine does not guarantee an author's absolute rights over a work but only such rights as are consistent with both the nature of the work as speech and with the structure of the dialogue in which it participates. The rights protecting works of authorship are confined to communicative uses of the work and to uses consistent with the communicative rights of others--for example, unauthorized reproduction of a work is lawful when responding to the work requires its reproduction. What's Wrong with Copying? offers a new way to interpret and criticize existing copyright law and to think about the relation between copyright and digital technology as well as broader juridical, social, and cultural concerns."--Publisher's description.
530			_a2 _ub
650		0	_aFair use (Copyright)
650		0	_aIntellectual property.
650		0	_aCopyright.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=986222&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hK. _m2015 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c84594 _d84594
902			_a1 _bCynthia Snell _c1 _dCynthia Snell