000			02161cam a2200361Ii 4500
001			ocn908146081
003			OCoLC
005			20240726104954.0
008			150429s2015 mau ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dNT _dE7B _dYDXCP _dOCLCQ _dCHVBK _dEBLCP _dICA _dJBG _dIDB _dAGLDB _dMOR _dNRC _dOCLCQ _dYDX _dOCLCO _dDEGRU _dBUF _dOCLCQ _dMERUC _dVTS _dCEF _dOCLCQ _dINT _dOCLCQ _dSTF _dJSTOR
020			_a9780674426177 _q((electronic)l(electronic)ctronic)
050	0	4	_aTR642 _b.P468 2015
049			_aMAIN
100	1		_aKelsey, Robin, _d1961- _e1
245	1	0	_aPhotography and the art of chance /Robin Kelsey.
260			_aCambridge, Massachusetts : _bThe Belknap Press of Harvard University Press, _c(c)2015.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aWilliam Henry Fox Talbot and his picture machine -- _tDefining art against the mechanical, c. 1860 -- _tJulia Margaret Cameron transfigures the glitch -- _tThe fog of beauty, c. 1890 -- _tAlfred Stieglitz moves with the city -- _tStalking chance and making news, c. 1930 -- _tFrederick Sommer decomposes our nature -- _tPressing photography into a modernist mold, c. 1970 -- _tJohn Baldessari plays the only game in town.
520	0		_aAs anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
530			_a2 _ub
650		0	_aPhotography, Artistic _xPhilosophy.
650		0	_aChance in art.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=986119&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hTR _m2015 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c84580 _d84580
902			_a1 _bCynthia Snell _c1 _dCynthia Snell