000			06384cam a2200433Ii 4500
001			ocn907532472
003			OCoLC
005			20240726104953.0
008			150417s2015 enk o 000 0 eng d
040			_aNT _beng _erda _epn _cNT _dNT _dE7B _dJSTOR _dOCLCF _dCCO _dMERUC _dK6U _dAGLDB _dUSU _dOCLCO _dICA _dPIFAG _dFVL _dOCLCQ _dIOG _dOCLCA _dU3W _dOCLCO _dCOCUF _dD6H _dOCLCO _dTEFOD _dSTF _dVLB _dVNS _dOCLCO _dOCLCQ _dVTS _dAU@ _dOCLCO _dOCLCQ _dOCLCO _dG3B _dOCLCA _dLVT _dOCLCO _dOCLCA _dTKN _dOCLCA _dLUN _dAJS _dOCLCO _dSFB _dOCLCO
020			_a9780861969104 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1993 _b.P474 2015
049			_aMAIN
245	1	0	_aPerforming new media, 1890-1915 /edited by Kaveh Askari, Scott Curtis, Frank Gray, Louis Pelletier, Tami Williams and Joshua Yumibe.
260			_aNew Barnet, Herts : _bJohn Libbey Publishing Limited, _c(c)2015.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
530			_a2 _ub
505	0	0	_tPerforming on the screen : actors and personalities -- _tLois Weber at Rex : performing femininity across media / _rShelley Stamp -- _tDiva intermedial : Lyda Borelli between art, photography, theatre and cinema / _rIvo Blom -- _tWhy sue "Little Mary?" : how Independent Moving Pictures Company of America v Gladys Smith and Owen Moore (1911) defined celebrity and professionalism for film actors / _rLeslie Midkiff DeBauche -- _tCamera distance and acting in the Griffith Biography / _rCharles O'Brien -- _tPerformance times : the lightning cartoon and the emergence of animation / _rMalcolm Cook -- _tLa transparence du Fregoligraph en question / _rFrédéric Tabet -- _tIn the flesh : personal appearances and the picture personality in Britain / _rChris O'Rourke -- _tPerformers : now synchronised on screen / _rIan Christie -- _tPerforming beside the screen : narrators, showmen, and musicians -- _tMissing believed lost : the film narrator, then and now / _rMartin Loiperdinger -- _tStandards of practice in transition : the showmanship of Jasper Redfern as it emerged / _rPeter Walsh -- _tShowmanship skills and the changing role of the exhibitor in 1910s Scotland / _rMaría Antonia Vélez-Serna -- _tShowing film in winter (1904-1906) : Alberts Frères' film galas in Dutch multi-purpose buildings / _rAnsje van Beusekom -- _tPerforming new media and the creation of national identity : Kräusslich and Köpke in Norway before 1910 / _rGunnar Iversen -- _tMusic programming and the formation of Swedish cinema culture / _rChristopher Natzén -- _t"Marvelous and fascinating" : L. Frank Baum's Fairylogue and radio-plays (1908) / _rArtemis Willis -- _tThe multiple media lecture : Racing with death in Antarctic blizzards (1915) / _rGregory A. Waller -- _tPerforming with the screen : audiences, educators and officials -- _tKinoreformbewegung revisited : performing the cinematograph as a pedagogical tool / _rFrank Kessler and Sabine Lenk -- _tHealth on display : the Panama-Pacific International Exposition as sanitary venue / _rMarina Dahlquist -- _tLyrical education : music and colour in early non-fiction film / _rJennifer Peterson -- _t"Offensive and riotous behaviour"? Performing the role of an audience in Irish cinema of the mid-1910s / _rDenis Condon -- _tTango mad and affected by cinematographitis : rhythmic "contagions" between screens and audiences in the 1910s / _rKristina Köhler -- _tIntermedial performance -- _tScreening sensations and live performance : the creative blending of traditional and new projected media at the start of the twentieth century / _rLudwig Maria Vogl-Bienek -- _tLe spectacle de lanterne magique considèrè sous l'angle de la conférence : quelques traces écrites d'une performance orale / _rAlain Boillat -- _tGetting to know the Dutch : magic lantern slides as traces of intermedial performance practices / _rSarah Dellmann -- _t20 minutes or less : short-form film-and-theatre hybrids : skits, sketches, playlets, and acts in vaudeville, variety, revues, &c. / _rGwendolyn Waltz -- _tBetween Karagöz and cinema : connectivity, mobility, collectivity / _rCanan Balan -- _tEntre nouveauté et continuité : le spectacle cinématographique serait-il une émergence des ombres françaises? / _rThierry Lecointe -- _t"Performed live and talking. No kinematograph" : amateur performances of Tableaux vivants and local film exhibition in Germany around 1900 / _rDaniel Wiegand -- _tPerforming painting : projected images as living pictures / _rValentine Robert -- _tColour as performance in visual music, film tinting and digital painting / _rJoshua Yumibe -- _tCoda -- _tEarly cinema today and its "digital performance" : the re-discovery of The soldier's courtship (1896) / _rFranziska Heller.
520	0		_aIn the years before the First World War, showmen, entrepreneurs, educators, and scientists used magic lanterns and cinematographs in many contexts and many venues. To employ these silent screen technologies to deliver diverse and complex programs usually demanded audio accompaniment, creating a performance of both sound and image. These shows might include live music, song, lectures, narration, and synchronized sound effects provided by any available party--projectionist, local talent, accompanist or backstage crew--and would often borrow techniques from shadow plays and tableaux vivants. The performances were not immune to the influence of social and cultural forces, such as censorship or reform movements. This collection of essays considers the ways in which different visual practices carried out at the turn of the 20th century shaped performances on and beside the screen.
650		0	_aSilent films _xHistory.
650		0	_aMotion pictures and theater _xHistory.
650		0	_aArt.
655		1	_aElectronic Books.
700	1		_aAskari, Kaveh, _e5
700	1		_aCurtis, Scott, _e5
700	1		_aGray, Frank, _e5
700	1		_aPelletier, Louis, _e5
700	1		_aWilliams, Tami, _d1970- _e5
700	1		_aYumibe, Joshua, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=979981&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2015 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c84519 _d84519
902			_a1 _bCynthia Snell _c1 _dCynthia Snell