000 | 03449cam a2200385 i 4500 | ||
---|---|---|---|
001 | ocn907238289 | ||
003 | OCoLC | ||
005 | 20240726104951.0 | ||
008 | 150413s2015 inu obk 001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dNT _dP@U _dEBLCP _dE7B _dYDXCP _dAKR _dCOO _dJSTOR _dK6U _dIDB _dCOCUF _dDGU _dPIFFA _dFVL _dZCU _dJBG _dAGLDB _dMERUC _dIOG _dU3W _dEZ9 _dD6H _dMOZ _dSTF _dOCLCF _dOCLCQ _dVTS _dICG _dVT2 _dOCLCQ _dWYU _dLVT _dTKN _dDKC _dOCLCQ _dRECBK _dOCL _dOCLCQ _dMM9 _dOCLCO _dQGK _dOCLCQ |
||
020 |
_a9780253016508 _q((electronic)l(electronic)ctronic) |
||
050 | 0 | 4 |
_aML931 _b.W455 2015 |
049 | _aMAIN | ||
100 | 1 |
_aBurgess, Geoffrey _c(Oboist), _e1 |
|
245 | 1 | 0 |
_aWell-tempered woodwinds : _bFriedrich von Huene and the making of early music in a new world / _cGeoffrey Burgess. |
260 |
_aBloomington, IN : _bIndiana University Press, _c(c)2015. |
||
300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_adata file _2rda |
||
490 | 1 | _aPublications of the Early Music Institute | |
504 | _a2 | ||
505 | 0 | 0 |
_aPreface : why recorders? -- _tAcknowledgments -- _tPrologue : a domestic music room in Brookline -- _tChildhood in paradise -- _tFlight from Eden -- _tTraining in a new world -- _tFriedrich the Great : founding an empire -- _tTrading old flutes for new -- _tHeydays -- _tAt the hub of an international network -- _tCause to celebrate -- _tThe von Huene legacy -- _tEpilogue : Amid the mementos of an active life -- _tAppendix 1. Von Huene family tree -- _tAppendix 2. Friedrich von Huene summary chronology -- _tAppendix 3. List of honors -- _tAppendix 4. Recordings of J.S. Bach's Brandenburg Concertos with recorders, 1941-1993 -- _tAppendix 5. List of instruments produced by the von Huene workshop -- _tAppendix 6. Recorders and traversos heard in recordings by Frans Brüggen -- _tAppendix 7. General discography. |
520 | 0 | _aFriedrich von Huene (1928- ) is arguably the most important manufacturer of historical woodwinds in the 20th century. Since he began making recorders in 1958, von Huene has exerted a strong influence on the craft of building woodwind instruments and on the study of instrument-making, as he has helped to shape the emerging field of Early Music performance practice. Recipient of lifetime achievement awards from the American Musical Instrumental Society, the National Flute Association, and Early Music America, he has remained at the forefront of research and design of historical copies of recorders, flutes, and oboes. In a compelling narrative that combines biography, cultural history, and technical organological enquiry, Geoffrey Burgess explores von Huene's impact on the craft of historical instrument-making and the role organology has played in the emergence of the Early Music movement in the post-war era. | |
530 |
_a2 _ub |
||
600 | 1 | 0 |
_aHuene, Friedrich von, _d1929- |
650 | 0 |
_aWoodwind instruments _xConstruction _xHistory _y20th century. |
|
650 | 0 |
_aMusical instruments _xConstruction _xHistory _y20th century. |
|
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=977026&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hML _m2015 _QOL _R _x _8NFIC _2LOC |
||
994 |
_a92 _bNT |
||
999 |
_c84455 _d84455 |
||
902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |