000 | 03299cam a2200445Ki 4500 | ||
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001 | ocn907774820 | ||
003 | OCoLC | ||
005 | 20240726104951.0 | ||
008 | 150422s2015 akuac ob s001 0beng d | ||
040 |
_aNT _beng _erda _epn _cNT _dNT |
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020 |
_a9781602232464 _q((electronic)l(electronic)ctronic) |
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043 |
_an-us-ak _an-us--- |
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050 | 0 | 4 |
_aTR140 _b.P538 2015 |
049 | _aNTA | ||
100 | 1 |
_aThomas, Margaret, _d1959- _e1 |
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245 | 1 | 0 |
_aPicture Man : _bthe legacy of southeast Alaska photographer Shoki Kayamori / _cby Margaret Thomas. |
260 |
_aFairbanks : _bUniversity of Alaska Press, _c(c)2015. |
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_a1 online resource (xiv, 134 pages) : _billustrations, portraits. |
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336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_a"In 1912, Shoki Kayamori and his box camera arrived in a small Tlingit village in southeast Alaska. At a time when Asian immigrants were forbidden to own property and faced intense racial pressure, the Japanese-born Kayamori put down roots and became part of the Yakutat community. For three decades he photographed daily life in the village, turning his lens on locals and migrants alike, and gaining the nickname 'Picture Man.' But as World War II drew near, his passion for photography turned dangerous as government officials called out Kayamori as a potential spy. Despondent, Kayamori committed suicide, leaving behind an enigmatic photographic legacy. In Picture Man, Margaret Thomas views Kayamori's life through multiple lenses. Using Kayamori's original photos, she explores the economic and political realities that sent Kayamori and thousands like him out of Japan toward opportunity and adventure in the United States, especially the Pacific Northwest. She reveals the tensions around Asian immigrants in the West Coast and the racism that sent many young men north to work in the canneries of Alaska. And she illuminates the intersecting--and at times conflicting--lives of villagers and migrants in a time of enormous change. Part history, part biography, part photographic showcase, Picture Man offers a fascinating new view of Alaska history"-- _cProvided by publisher. |
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505 | 0 | 0 |
_aMeiji Japan -- _tWest Coast -- _tThe Aokis -- _tCannery Life -- _tYakutat -- _tSpies -- _tThe Collection. |
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_a2 _ub |
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600 | 1 | 0 |
_aKayamori, Shoki, _d1877-1941. |
650 | 0 |
_aJapanese American photographers _zAlaska _vBiography. |
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650 | 0 |
_aPhotographers _zAlaska _vBiography. |
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650 | 0 |
_aJapanese Americans _zAlaska _vBiography. |
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650 | 0 |
_aImmigrants _zAlaska _vBiography. |
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650 | 0 |
_aJapanese Americans _zAlaska _xSocial conditions _y20th century. |
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650 | 0 |
_aTlingit Indians _zAlaska _zYakutat _xSocial life and customs _y20th century _vPictorial works. |
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650 | 0 |
_aDocumentary photography _zAlaska _xHistory _y20th century. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=974034&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hTR. _m2015 _QOL _R _x _8NFIC _2LOC |
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994 |
_a02 _bNT |
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_c84430 _d84430 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |