000 03133nam a2200469Ki 4500
001 ocn921846643
003 OCoLC
005 20240726104949.0
008 150921s2014 be g ob 000 0 eng d
040 _aNT
_beng
_erda
_epn
_cNT
020 _a9789461661616
_q((electronic)l(electronic)ctronic)
020 _a9461661614
_q((electronic)l(electronic)ctronic)
043 _ae------
050 0 4 _aML196
_b.O364 2014
049 _aNTA
100 1 _aTorbianelli, Edoardo,
_d1970-
_e1
245 1 0 _aOhne Worte :
_bvocality and instrumentality in 19th-century music /
_cEdoardo Torbianelli, Jeanne Roudet, Jean-Pierre Bartoli, Douglas Seaton, Hubert Moßburger ; edited by William Brooks.
260 _aLeuven :
_bLeuven University Press,
_c(c)2014.
300 _a1 online resource (227 pages) :
_bmusic.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aCollected writings of the Orpheus Institute ;
_v#12
504 _a1
505 0 0 _aPlaying with images : character and emotion in the age of romanticism /
_rEdoardo Torbianelli --
_t"Inner voices' and "deep combinations" : Robert Schumann's approach to romantic polyphony /
_rHubert Moßburger --
_tFrédéric Chopin, Clara Schuman, and the singing piano school /
_rJeanne Roudet --
_tVocal patterns in the themes of Berlioz's instrumental music /
_rJean-Pierre Bartoli --
_tPlot and narrative in Mendelssohn's chamber music for strings and piano /
_rDouglass Seaton --
_tRobert Schumann's poetic paraphrases : analytical implications /
_rHubert Moßburger
520 8 _aWhat can music tell us - without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In this book five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental.
530 _a2
_ub
650 0 _aVocal music
_zEurope
_y19th century
_xHistory and criticism.
650 0 _aInstrumental music
_zEurope
_y19th century
_xHistory and criticism.
650 0 _aComposers
_zEurope.
655 1 _aElectronic Books.
700 1 _aRoudet, Jeanne,
_e1
700 1 _aBartoli, Jean-Pierre,
_e1
700 1 _aSeaton, Douglass,
_e1
700 1 _aMossburger, Hubert,
_e1
700 1 _aBrooks, William,
_d1943-
_e5
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=967961&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hML
_m2014
_QOL
_R
_x
_8NFIC
_2LOC
994 _a02
_bNT
999 _c84335
_d84335
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell