000 | 03133nam a2200469Ki 4500 | ||
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001 | ocn921846643 | ||
003 | OCoLC | ||
005 | 20240726104949.0 | ||
008 | 150921s2014 be g ob 000 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT |
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020 |
_a9789461661616 _q((electronic)l(electronic)ctronic) |
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020 |
_a9461661614 _q((electronic)l(electronic)ctronic) |
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043 | _ae------ | ||
050 | 0 | 4 |
_aML196 _b.O364 2014 |
049 | _aNTA | ||
100 | 1 |
_aTorbianelli, Edoardo, _d1970- _e1 |
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245 | 1 | 0 |
_aOhne Worte : _bvocality and instrumentality in 19th-century music / _cEdoardo Torbianelli, Jeanne Roudet, Jean-Pierre Bartoli, Douglas Seaton, Hubert Moßburger ; edited by William Brooks. |
260 |
_aLeuven : _bLeuven University Press, _c(c)2014. |
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_a1 online resource (227 pages) : _bmusic. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 |
_aCollected writings of the Orpheus Institute ; _v#12 |
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_aPlaying with images : character and emotion in the age of romanticism / _rEdoardo Torbianelli -- _t"Inner voices' and "deep combinations" : Robert Schumann's approach to romantic polyphony / _rHubert Moßburger -- _tFrédéric Chopin, Clara Schuman, and the singing piano school / _rJeanne Roudet -- _tVocal patterns in the themes of Berlioz's instrumental music / _rJean-Pierre Bartoli -- _tPlot and narrative in Mendelssohn's chamber music for strings and piano / _rDouglass Seaton -- _tRobert Schumann's poetic paraphrases : analytical implications / _rHubert Moßburger |
520 | 8 | _aWhat can music tell us - without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In this book five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental. | |
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_a2 _ub |
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_aVocal music _zEurope _y19th century _xHistory and criticism. |
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650 | 0 |
_aInstrumental music _zEurope _y19th century _xHistory and criticism. |
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650 | 0 |
_aComposers _zEurope. |
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655 | 1 | _aElectronic Books. | |
700 | 1 |
_aRoudet, Jeanne, _e1 |
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700 | 1 |
_aBartoli, Jean-Pierre, _e1 |
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700 | 1 |
_aSeaton, Douglass, _e1 |
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700 | 1 |
_aMossburger, Hubert, _e1 |
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700 | 1 |
_aBrooks, William, _d1943- _e5 |
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856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=967961&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hML _m2014 _QOL _R _x _8NFIC _2LOC |
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_a02 _bNT |
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_c84335 _d84335 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |