000			03170nam a2200397Ki 4500
001			ocn905221666
003			OCoLC
005			20240726104949.0
008			150319s2015 cau ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dNT
020			_a9780520959927 _q((electronic)l(electronic)ctronic)
043			_an-us---
050	0	4	_aPN1993 _b.H533 2015
049			_aNTA
100	1		_aBeach, Christopher, _e1
245	1	0	_aA hidden history of film style : _bcinematographers, directors, and the collaborative process / _cChristopher Beach.
260			_aOakland, California : _bUniversity of California Press, _c(c)2015.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aPioneers in Babylon : D.W. Griffith and Billy Bitzer -- _tRebel with a camera : Gregg Toland, William Wyler, and the development of deep focus technique -- _tPeering into corners : Billy Wilder, John Seitz, and the visual style of film noir -- _tThe color of suspense : Alfred Hitchcock and Robert Burks -- _tWhat rule are you breaking? collaborating in the new Hollywood -- _tCinematography, craft, and collaboration in the digital age.
520	0		_a"The image that appears on the movie screen is the direct and tangible result of the joint efforts of the director and the cinematographer. A Hidden History of Film Style is the first study to focus on the collaborations between directors and cinematographers, a partnership that has played a crucial role in American cinema since the early years of the silent era. Christopher Beach argues that an understanding of the complex director-cinematographer collaboration offers an important model that challenges the pervasive conventional concept of director as auteur. Drawing upon oral histories, early industry trade journals, and other primary materials, Beach examines key innovations like deep focus, color, and digital cinematography, and in doing so produces an exceptionally clear history of the craft. Through analysis of several key collaborations in American cinema from the silent era to the late twentieth century--such as those of D. W. Griffith and Billy Bitzer, William Wyler and Gregg Toland, and Alfred Hitchcock and Robert Burks--this pivotal book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film"--Provided by publisher.
530			_a2 _ub
650		0	_aMotion picture producers and directors _zUnited States.
650		0	_aCinematographers _zUnited States.
650		0	_aMotion pictures _xProduction and direction _zUnited States.
650		0	_aCinematography _xSpecial effects.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=967324&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2015 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c84326 _d84326
902			_a1 _bCynthia Snell _c1 _dCynthia Snell