000			05300cam a2200457Ii 4500
001			ocn904212175
003			OCoLC
005			20240726104946.0
008			140805s2015 alu ob 001 0 eng d
040			_aP@U _beng _epn _erda _cP@U _dOCLCO _dNT _dOCLCF _dYDXCP _dEBLCP _dE7B _dLLB _dCOO _dOCLCO _dDEBSZ _dCUI _dOCLCO _dOCLCQ _dOCLCO _dJBG _dOCLCQ _dIDB _dAGLDB _dUAB _dOCLCQ _dMOR _dMERUC _dOCLCQ _dSTF _dVTS _dOCLCQ _dTKN _dDKC _dOCLCQ _dM8D _dOCLCQ _dAJS _dOCLCO
020			_a9780817387853 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1161 _b.A285 2015
049			_aMAIN
245	1	0	_aActive romanticism : _bthe radical impulse in nineteenth-century and contemporary poetic practice / _cedited by Julie Carr and Jeffrey C. Robinson.
250			_aFirst edition.
260			_aTuscaloosa : _bUniversity Alabama Press, _c(c)2015.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aModern & contemporary poetics
504			_a2
520	0		_a"Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"-- _cProvided by publisher.
520	0		_a"Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated "late-Romantic" poetry of the nineteenth century. The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism's poetic and political radicalism and the experimental movements in poetry from the late-nineteenth-century to the present day. According to editors July Carr and Jeffrey C. Robinson, "active romanticism" is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, "active romanticism" champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. "Poetry fetter'd, fetters the human race," declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language. Bringing together work by well-known writers and critics, ranging from scholarly studies to poets' testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the well-spring from which it flowed. Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic tradition, and a form that reacts and renews itself at any given moment of perceived social crisis."-- _cProvided by publisher.
505	0	0	_aIntroduction: Active Romanticism -- _tJulie Carr and Jeffrey C. Robinson; 1. Bright Ellipses: The Botanic Garden, Meteoric Flowers, and Leaves of Grass -- _tElizabeth Willis; 2. "The Oracular Tree Acquiring": On Romanticism as Radical Praxis -- _tDan Beachy-Quick; 3. Singing Schools and "Mental Equality": An Essay in Three Parts -- _tRachel Blau DuPlessis; 4. A Deeper, Older O: The Oral (Sex) Tradition (in Poetry) -- _tJennifer Moxley; 5. The Construction of Poems for the Millennium, Volume Three and the Poems It Engendered -- _tJerome Rothenberg; 6. Copying Whitman -- _tBob Perelman.
505	0	0	_a7. "A Spark o' Nature's Fire": Robert Burns and the Vernacular Muse -- _tNigel Leask8. Hyper-Pindaric: The Greater Irregular Lyric from Cowley to Keston Sutherland -- _tSimon Jarvis; 9. Dysachrony: Temporalities and Their Discontents, in New and Old Romanticisms -- _tJudith Goldman; 10. The Influence of Shelley on Twentieth-and Twenty-First-Century Avant-Garde Poetry: A Survey -- _tJeffrey C. Robinson; 11. The Dialectic of Romantic and Postromantic Ethopoetics (after Certain Hispano-American Visual Poetries) -- _tHeriberto Yépez, translated by Jen Hofer; 12. The Sublime Is Now Again -- _tJulie Carr.
505	0	0	_a13. Beyond Romanticism -- _tJacques Darras14. Accident over N: Lines of Flight in the Philosophical Notebooks of Novalis -- _tAndrew Joron; Bibliography; Contributors; Index.
530			_a2 _ub
650		0	_aPoetics.
650		0	_aRomanticism _xInfluence.
650		0	_aPoetry, Modern _xHistory and criticism.
650		0	_aLiterature _xPhilosophy.
655		1	_aElectronic Books.
700	1		_aRobinson, Jeffrey Cane, _d1943- _e5
700	1		_aCarr, Julie, _d1966- _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=961134&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN _m2015 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c84148 _d84148
902			_a1 _bCynthia Snell _c1 _dCynthia Snell