000 04098cam a2200421Ki 4500
001 ocn904339047
003 OCoLC
005 20240726104946.0
008 150304s2013 nyu ob s001 0 eng d
040 _aNT
_beng
_erda
_epn
_cNT
_dE7B
_dYDXCP
_dEBLCP
_dOCLCO
020 _a9781438456775
_q((electronic)l(electronic)ctronic)
043 _aa-ii---
050 0 4 _aPN1993
_b.B663 2013
049 _aMAIN
100 1 _aThomas, Rosie,
_d1948-
_e1
245 1 0 _aBombay before Bollywood :
_bfilm city fantasies /
_cRosie Thomas.
260 _aAlbany :
_bState University of New York Press,
_c(c)2013.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aSUNY Series Horizons of Cinema
504 _a2
505 0 0 _a""Contents""; ""List of Tables and Figures""; ""Credits""; ""Acknowledgments""; ""Chapter 1 Bombay before Bollywood: Film City Fantasies""; ""The Challenge""; ""Bombay Before Bollywood""; ""Towards Some Alternative Histories""; ""Looking Back: The Longer View""; ""Notes""; ""Part One: Introduction to Part One""; ""Notes""; ""Chapter 2 Thieves of the Orient: The Arabian Nights in Early Indian Cinema""; ""The Arabian Nights in India: Circulation and Adaptation""; ""Lal-E-Yaman (1933) and Noor-E-Yaman (1935)""; ""Orientalism and the Islamicate""; ""The Appeal""; ""Notes""
505 0 0 _a""Chapter 3 Distant Voices, Magic Knives: Lal-e-Yaman and the Transition to Sound in Bombay Cinema""""Background""; ""Production""; ""Success""; ""The Disembodied Voice""; ""Sound and Vision""; ""Modernities""; ""Notes""; ""Chapter 4 Not Quite (Pearl) White: Fearless Nadia, Queen of the Stunts""; ""Early Years of Bombay Cinema""; ""Wadia Movietone and Nadia""; ""Nationalist Politics""; ""Two Visions""; ""The Nadia Persona""; ""Diamond Queen""; ""Mimicry""; ""Notes""; ""Chapter 5 Zimbo and Son Meet the Girl with a Gun""; ""Introduction""; ""Remakes and Hollywood""; ""Basant Studios""
505 0 0 _a""Toofani Tarzan: India's 1937 Super Hit""""'Indianisation'""; ""Tarzan and Leela""; ""Tarzan's Appeal in India""; ""Girls, Guns and the Basant Brand""; ""Notes""; ""Chapter 6 Still Magic: An Aladdin's Cave of 1950s B-Movie Fantasy""; ""Magical Worlds""; ""Arabian Nights""; ""A Fabulous Orient""; ""Brute Strength""; ""An Enchanted Gaze""; ""Notes""; ""Part Two: Introduction to Part Two""; ""Notes""; ""Chapter 7 Where the Money Flows, the Camera Rolls""; ""Introduction""; ""Financing Film Production""; ""Credit""; ""Financiers""; ""World Rights Control""; ""Territorial Mortgage""
505 0 0 _a""Hundi or 'Time Bill'""""Distributors""; ""Minimum Guarantee""; ""Advance""; ""Outright""; ""Territories""; ""Exhibitors""; ""Organisation of Film Production""; ""Terms of Employment""; ""The Producer""; ""Setting up a Production""; ""Consequences of the Bombay System of Production""; ""Consequences of the Black Economy""; ""Distribution/Exhibition Strangleholds""; ""Consequences for Film Form and Content""; ""Notes""; ""Chapter 8 Indian Cinema: Pleasures and Popularity""; ""Narrative""; ""Verisimilitude""; ""The Spectator""; ""Notes""
505 0 0 _a""Chapter 9 Sanctity and Scandal: The Mythologisation of Mother India""""The Film""; ""Background Reading""; ""The Star""; ""Notes""; ""Chapter 10 Mother India Maligned: The Saga of Sanjay Dutt""; ""Introduction""; ""Sadak""; ""The Star�Sanjay Dutt""; ""Khalnayak""; ""Coda""; ""Notes""; ""References and Select Bibliography""; ""Newspapers & Magazines""; ""Index""
530 _a2
_ub
650 0 _aMotion pictures
_zIndia
_zMumbai
_xHistory
_y20th century.
650 4 _aMotion pictures.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=960861&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPN..
_m2013
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c84126
_d84126
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell