000 | 02061nam a2200385Ki 4500 | ||
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001 | ocn904979263 | ||
003 | OCoLC | ||
005 | 20240726104946.0 | ||
008 | 150317s2015 cau ob 001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dNT |
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020 |
_a9780804794749 _q((electronic)l(electronic)ctronic) |
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043 | _an-us-ca | ||
050 | 0 | 4 |
_aPN1993 _b.S783 2015 |
049 | _aNTA | ||
100 | 1 |
_aConnor, J. D., _e1 |
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245 | 1 | 0 |
_aThe studios after the studios : _bneoclassical Hollywood (1970-2010) / _cJ.D. Connor. |
260 |
_aStanford, California : _bStanford University Press, _c(c)2015. |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aPost 45 | |
504 | _a2 | ||
505 | 0 | 0 |
_aLogorrhea, or, How to watch a Hollywood movie -- _tLast of the independents : paranoid auteurs and the invention of neoclassical Hollywood -- _tThe literal and the littoral : Jaws -- _tParamount I : from the director's company to high concept -- _tOur man in Armani : the Ovitz interregnum -- _tThe projections : neoclassicism in action -- _tParamount II : the residue of design -- _tLet's make the weather : chaos comes to Hollywood -- _tHollywood the day after tomorrow : neoclassical endings? -- _tThat oceanic feeling : one merger too many -- _tThe anxious epic and the qualms of empire : conglomerate overstretch. |
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_a2 _ub |
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650 | 0 |
_aMotion picture studios _zCalifornia _zLos Angeles _xHistory. |
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650 | 0 |
_aMotion picture industry _zCalifornia _zLos Angeles _xHistory. |
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650 | 0 |
_aMotion pictures _zCalifornia _zLos Angeles _xHistory. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=960640&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN.. _m2015 _QOL _R _x _8NFIC _2LOC |
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994 |
_a02 _bNT |
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999 |
_c84119 _d84119 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |