000			04022cam a2200553 i 4500
001			ocn900345282
003			OCoLC
005			20240726104932.0
008			150117s1992 kyu ob 001 0 eng d
040			_aEBLCP _beng _epn _erda _cEBLCP _dNT _dOCLCQ _dIDEBK _dNT _dOCLCE _dOCLCF _dKUK _dE7B _dJSTOR _dYDXCP _dP@U _dOCL _dOCLCQ _dOCLCO _dIDB _dAGLDB _dMOR _dOCLCQ _dIOG _dMERUC _dEZ9 _dSTF _dVTS _dAU@ _dOCLCQ _dLVT _dDKC _dOCLCQ _dM8D _dUKSSU _dSNU _dOCLCQ _dOCLCO _dLDP _dOCLCO _dOCLCQ _dOCLCO
020			_a9780813164205 _q((electronic)l(electronic)ctronic)
042			_adlr
043			_an-usn--
050	0	4	_aPS153 _b.D475 1992
049			_aMAIN
100	1		_aScheick, William J., _e1
245	1	0	_aDesign in Puritan American literature /William J. Scheick.
260			_aLexington : _bThe University Press of Kentucky, _c(c)1992.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
520	0		_aPuritan American writers faced a dilemma: they had an obligation to use language as a celebration of divine artistry, but they could not allow their writing to become an iconic graven image of authorial self-idolatry. In this study William Scheick explores one way in which William Bradford, Nathaniel Ward, Anne Bradstreet, Urian Oakes, Edward Taylor, and Jonathan Edwards mediated these conflicting imperatives.
530			_a2 _ub
538			_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL
583	1		_adigitized _c2010 _hHathiTrust Digital Library _lcommitted to preserve _5MiAaHDL _2pda
505	0	0	_aCover; Title; Copyright; Contents; Introduction; 1. The Necessity of Language; Words Like Wooden Horses William Bradford and Thomas Morton; Double-Talk Renaissance and Reformed Traditions; Concealed Verbal Artistry Richard Mather and Edward Taylor; 2. The Winding Sheet of Meditative Verse; The Wrack of Mortal Poets Anne Bradstreet's Contemplations -- _tUnfolding the Twisting Serpent Edward Taylor's Meditation 1.19 -- _t3. Laughter and Death; All in Jest Nathaniel Ward's The Simple Cobler; Dissolving Stones Urian Oakes's Elegy on Thomas Shepard; 4. Breaking Verbal Icons.
505	0	0	_aNature, Reason, and Language Jonathan Edwards in ReactionFrom Something to Nothing to Everything Edwards's Early Sermons; 5. Islands of Meaning; Eighteenth-Century Allegory or Satire? Nathan Fiske's An Allegorical Description -- _tThe Letter Killeth Edward Bellamy's To Whom This May Come -- _tNotes; Index; A; B; C; D; E; F; G; H; I; J; L; M; N; O; P; Q; R; S; T; W; Y; Z.
650		0	_aAmerican literature _xPuritan authors _xHistory and criticism.
650		0	_aAmerican literature _zNew England _xHistory and criticism.
650		0	_aChristian literature, American _xHistory and criticism.
650		0	_aPuritans _zNew England _xIntellectual life.
650		0	_aEnglish language _zUnited States _xRhetoric.
650		0	_aRhetoric _zUnited States _xHistory.
653		0	_aAmerican literature _aHistory and criticism _aColonial period, ca. 1600-1775
653		0	_aAmerican literature _aHistory and criticism _aNew England
653		0	_aAmerican literature _aPuritan authors _aHistory and criticism
653		0	_aChristian literature, American _aHistory and criticism
653		0	_aEnglish language _aRhetoric _aUnited States
653		0	_aGeschichte _a1600-1900
653		0	_aPuritans _aIntellectual life _aNew England
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=938806&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPS. _m(c)1992 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c83410 _d83410
902			_a1 _bCynthia Snell _c1 _dCynthia Snell