000			02918cam a2200421Ii 4500
001			ocn900344945
003			OCoLC
005			20240726104929.0
008			150117s2015 kyu o 000 0 eng d
040			_aEBLCP _beng _epn _erda _cEBLCP _dNT _dOCLCQ _dNT _dOCLCF _dJSTOR _dYDXCP _dOCLCQ _dJBG _dOCLCQ _dOCLCO _dIDB _dAGLDB _dICA _dOCLCA _dXFH _dOCLCA
020			_a9780813163048 _q((electronic)l(electronic)ctronic)
020			_a9781322600475
050	0	4	_aPR2829 _b.M345 2015
049			_aMAIN
100	1		_aHeilman, Robert Bechtold, _d1906-2004. _e1
245	1	0	_aMagic in the web : _baction & language in Othello / _cRobert B. Heilman.
260			_aLexington : _bThe University Press of Kentucky, _c(c)2015.
300			_a1 online resource (312 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aCover; Title; Copyright; Contents; 1 APPROACH; 1. ASSUMPTIONS; 2. INTERCONNECTIONS; 2 IAGO: BEYOND THE GRIEVANCES; 3 THE IAGO WORLD: STYLES IN DECEPTION; 1. HONEST IAGO; 2. SEEMING AND SEEING: OCULAR PROOF; 3. LIGHT AND DARKNESS; 4. IAGO AS ECONOMIST; 5. DR. IAGO AND HIS POTIONS; 4 THE IAGO WORLD: STYLES IN REVELATION; 1. REDUCTION AND CONQUEST; 2. THE HUNTER, THE INHUMAN DOG, AND THE SLAVE; 3. THE GREATEST DISCORDS; 4. CHAOS: THE WAR AT HOME; 5 OTHELLO: ACTION AND LANGUAGE; 6 THEMATIC FORM: VERSIONS OF LOVE; 1. STYLES OF ACTION; 2. DOCTRINE AND SYMBOL; 7 THEMATIC FORM: WIT AND WITCHCRAFT.
505	0	0	_aAppendix a. the enchafed floodappendix born the body; notes; index; a; b; c; d; e; f; g; h; i; j; k; l; m; n; o; p; r; s; t; v; w.
520	0		_aIn his earlier work on King Lear, Mr. Heilman combined a number of critical procedures to form a new and important approach to Shakespearian criticism. His study of Othello displays the maturity of insight and skill in analysis the years have brought him in developing his critical method. Mr. Heilman takes account of stage effects; he traces out literal and symbolic meanings; he analyzes plot relationships; he examines characters in terms of both their psychological and their moral situations, and style in relation to both character and meaning. He traces some effects due to historical meani.
530			_a2 _ub
600	0	0	_aOthello _c(Fictitious character from Shakespeare)
650		0	_aTragedy.
650		4	_aOthello (Fictitious character)
650		4	_aShakespeare, William, 1564-1616. Othello.
650		4	_aTragedy.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=938542&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPR _m2015 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c83208 _d83208
902			_a1 _bCynthia Snell _c1 _dCynthia Snell