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005 | 20240726104924.0 | ||
008 | 100626s1991 kyuaf ob 001 0 eng d | ||
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020 | _a9780813117362 | ||
020 |
_a9781322595856 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aPR858 _b.C687 1991 |
100 | 1 |
_aGreen, Katherine Sobba, _d1949- _e1 |
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_aThe courtship novel, 1740-1820 : _ba feminized genre / _cKatherine Sobba Green. |
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_aLexington, Ky. : _bUniversity Press of Kentucky, _c(c)1991. |
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_a1 online resource (184 pages, 1 unnumbered leaf of plates) : _billustrations |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL |
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_adigitized _c2010 _hHathiTrust Digital Library _lcommitted to preserve _2pda _5MiAaHDL |
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505 | 0 | 0 | _aCover; Title; Copyright; Contents; Acknowledgments; Introduction; Part I.A Feminized Genre; 1. The Courtship Novel: Textual Liberation for Women; 2. Eliza Haywood: A Mid-Career Conversion; 3. Mary Collyer: Genre Experiment; Part II. Feminist Reception Theory; 4. Early Feminist Reception Theory: Clarissa and The Female Quixote; 5. Charlotte Lennox: Henrietta, Runaway Ingenue; 6. Frances Moore Brooke: Emily Montague's Sanctum Sanctorum; Part III. The Commodification of Heroines; 7. The Blazon and the Marriage Act: Beginning for the Commodity Market |
505 | 0 | 0 |
_a8. Fanny Burney: Cecilia, the Reluctant HeiressPart IV. Educational Reform; 9. Richardson and Wollstonecraft: The Learned Lady and the New Heroine; 10. Bluestockings, Amazons, Sentimentalists, and Fashionable Women; 11. Jane West: Prudentia Homespun and Educational Reform; 12. Mary Brunton: The Disciplined Heroine; Part V. The Denouement: Courtship and Marriage; 13. Courtship: When Nature Pronounces Her Marriageable -- _t14. Maria Edgeworth: Belinda and a Healthy Scepticism; 15. Jane Austen: The Blazon Overturned; Conclusion; Chronology of Courtship Novels; Notes; Index; A; B; C; D; E; F |
505 | 0 | 0 | _aGH; I; J; K; L; M; N; O; P; R; S; T; W |
520 | 0 | _aThe period from her first London assembly to her wedding day was the narrow span of autonomy for a middle-class Englishwoman in the eighteenth and early nineteenth centuries. For many women, as Katherine Sobba Green shows, the new ideal of companionate marriage involved such thoroughgoing revisions in self-perception that a new literary form was needed to represent their altered roles. That the choice among suitors ideally depended on love and should not be decided on any other grounds was a principal theme among a group of heroine-centered novels published between 1740 and 1820. During these d. | |
650 | 0 |
_aEnglish fiction _y18th century _xHistory and criticism. |
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650 | 0 | _aCourtship in literature. | |
650 | 0 |
_aFeminism and literature _zGreat Britain _xHistory _y18th century. |
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650 | 0 |
_aFeminism and literature _zGreat Britain _xHistory _y19th century. |
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650 | 0 |
_aWomen and literature _zGreat Britain _xHistory _y18th century. |
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650 | 0 |
_aWomen and literature _zGreat Britain _xHistory _y19th century. |
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650 | 0 |
_aEnglish fiction _xWomen authors _xHistory and criticism. |
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650 | 0 |
_aEnglish fiction _y19th century _xHistory and criticism. |
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650 | 0 | _aDating (Social customs) in literature. | |
650 | 0 |
_aFeminist fiction _zGreat Britain _xHistory _y18th century. |
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650 | 0 |
_aFeminist fiction _zGreat Britain _xHistory _y19th century. |
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650 | 0 |
_aEnglish fiction _xHistory and criticism. |
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650 | 0 |
_aEnglish literature _xWomen authors _xHistory and criticism. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=938133&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hPR. _m(c)1991 _QOL _R _x _8NFIC _2LOC |
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_c82976 _d82976 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |