000			02903cam a2200373Mi 4500
001			ocn900344318
003			OCoLC
005			20240726104923.0
008			150117s1992 kyu o 000 0 eng d
040			_aEBLCP _beng _erda _cEBLCP _dNT
020			_a9780813149615 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1999 _b.C658 1992
049			_aNTA
245	1	0	_aColumbia Pictures _bPortrait of a Studio. _c
260			_aLexington : _bThe University Press of Kentucky, _c(c)1992.
300			_a1 online resource (320 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
500			_aDescription based upon print version of record.
504			_a2
505	0	0	_aCover; Title; Copyright; Contents; Preface; Part I. The History of Columbia, 1920-1991; From the Brothers Cohn to Sony Corporation; Chronology; Part II. The Art of Columbia; 1 Frank Capra at Columbia: Necessity and Invention; Illustrations; 2 Columbia's Screwball Comedies: Wine, Women and Wisecracks; 3 Film Noir at Columbia: Fashion and Innovation; 4 Rita Hayworth at Columbia: The Fabrication of a Star; 5 Judy Holliday: The Star and the Studio; 6 An Interview with Daniel Taradash: From Harvard to Hollywood; 7 On the Waterfront: ""Like It Ain't Part of America""
505	0	0	_a8 Anatomy of a Murder: Life and Art in the Courtroom9 Columbia and the Counterculture: Trilogy of Defeat; 10 Taxi Driver: Bringing Home the War; 11 Lawrence of Arabia, 1962, 1989: ""It Looks Damn Good""; 12 A Soldier's Story: A Paradigm for Justice; 13 The Last Emperor: A Subject-in-the-Making; Filmography: The Columbia Features, 1920-1991; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z
520	0		_aThe recent 3.4 billion purchase of Columbia Pictures by Sony Corporation focused attention on a studio that had survived one of Hollywood's worst scandals under David Begelman, as well as ownership by Coca-Cola and David Puttnam's misguided attempt to bring back the studio's glory days. Columbia Pictures traces Columbia's history from its beginnings as the CBC Film Sales Company (nicknamed ""Corned Beef and Cabbage"") through the regimes of Harry Cohn and his successors, and concludes with a vivid portrait of today's corporate Hollywood, with its investment bankers, entertainment lawyers, agen.
530			_a2 _ub
610	2	0	_aColumbia Pictures _xHistory.
655		1	_aElectronic Books.
700	1		_aDick, Bernard F.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=937999&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN. _mc1992 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c82878 _d82878
902			_a1 _bCynthia Snell _c1 _dCynthia Snell