000			03324cam a2200409Ii 4500
001			ocn898456627
003			OCoLC
005			20240726104922.0
008			141222t20142014wiu ob 001 0 eng d
040			_aCDX _beng _erda _epn _cCDX _dOCLCQ _dNT _dYDXCP _dOSU _dIDEBK _dP@U _dOCLCF _dE7B _dTEFOD _dEBLCP
020			_a9780299300937 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN4390 _b.D437 2014
049			_aMAIN
100	1		_aCardell, Kylie, _e1
245	1	0	_aDear world : _bcontemporary uses of the diary / _cKylie Cardell.
246	1	4	_aDe@r world
260			_aMadison, Wisconsin : _bThe University of Wisconsin Press, _c(c)2014.
300			_a1 online resource (x, 182 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aWisconsin studies in autobiography
520	0		_aWhere has the personal diary gone--and what forms has it taken--in the digital age? From the diary spaces of reality television and the how-to diary and its audience of self-helpers, in the emerging genre of the graphic diary or the online diaries of sex bloggers, in the published diaries of war correspondents or the urgent personal writing of Arab women under conflict, this book explores a new wave in diary publication and production. It also provides a fresh look at the diary as a contemporary form of autobiography. In Dear World, Kylie Cardell is sensitive to how changes to our notions of privacy and the personal--spurred by the central presence the Internet has come to occupy in our daily lives--impact how and why diaries are written, and for whom. She considers what these new uses of the diary tell us about the cultural politics of self-representation in a time of mass attention to (and anxiety about) the personal. Cardell sees the twenty-first-century diary as a vibrant and popular cultural practice as much as a literary form, one that plays a key role in mass-mediated notions of authenticity, subjectivity, and truth. Dear World provides much-needed new attention to the innovation, evolution, and persistence of a familiar yet complex autobiographical mode. --
504			_a2
505	0	0	_aIntroduction -- _tA public private self: Diary now -- _tHow to be the authenic you: Therapy, self-help, and the "how-to diary -- _tThe ethics of being there and seeing: Thomas Goltz, Paul McGeough, and the Journalist's diary of war -- _tThe intimate appeal of getting closer: The diary as evidence and testimony in Nuha al-Radi, Riverbend, and Suad Amiry -- _tSex, confessioin, and blogging: The online diaries of Belle de Jour and Abby Lee -- _tGraphic lives: Visual narration and the diaries of Phoebe Gleckner, Bobby Baker, and "The 1000 Journals Project" -- _tConclusion.
530			_a2 _ub
650		0	_aDiaries _xAuthorship.
650		0	_aAutobiography.
650		4	_aAutobiography.
650		4	_aDiaries.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=936231&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN _m2014 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c82828 _d82828
902			_a1 _bCynthia Snell _c1 _dCynthia Snell