000 04048cam a2200421 i 4500
001 ocn899212072
003 OCoLC
005 20240726104922.0
008 140630s2014 wau ob s001 0 eng
010 _a2021692862
040 _aDLC
_beng
_erda
_epn
_cDLC
_dNT
_dYDXCP
_dE7B
_dOCLCF
_dIDEBK
_dCOO
_dCDX
_dEBLCP
_dAGLDB
_dMOR
_dIDB
_dSTF
_dVTS
_dINT
_dDKC
_dAU@
_dM8D
_dAJS
020 _a9780295805429
_q((electronic)l(electronic)ctronic)
043 _an-us---
050 0 0 _aPS153
_b.C585 2014
049 _aMAIN
100 1 _aZhou, Xiaojing,
_d1952-
_e1
245 1 0 _aCities of Others :
_breimagining urban spaces in Asian American literature /
_cXiaojing Zhou.
260 _aSeattle :
_bUniversity of Washington Press,
_c(c)2014.
300 _a1 online resource (x, 334 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aThe Scott and Laurie Oki Series in Asian American Studies
504 _a2
505 0 0 _aIntroduction: Contested urban space --
_t"The woman about town": Transgressing raced and gendered boundaries in Sui Sin Far's writings --
_tClaiming right to the city: Lin Yutang's "Chinatown Family" --
_t"Our inside story" of Chinatown: Fae Myenne Ng's "Bone" --
_tChinatown as an embattled pedagogical space: Frank Chin's short story cycle and "Donald Duk" --
_tInhabititing the city as exiles: Bienvenido N. Santos's "What the Hell for you left your heart in San Francisco" --
_tThe city as a "Contact Zone": /
_rMeena Alexander's "Manhattan Music" --
_t"The living voice of the city": Change-rae Lee's "Native Speaker" --
_tMapping the global city and "the Other Scene" of globalization: Karen Tei Yamashita's "Tropic of Orange" --
_tConclusion: the I-Hotel and other places.
520 0 _aAsian American literature abounds with complex depictions of American cities as spaces that reinforce racial segregation and prevent interactions across boundaries of race, culture, class, and gender. However, in Cities of Others, Xiaojing Zhou uncovers a much different narrative, providing the most comprehensive examination to date of how Asian American writers --both celebrated and overlooked-- depict urban settings. Zhou goes beyond examining popular portrayals of Chinatowns by paying equal attention to life in other parts of the city. Her innovative and wide-ranging approach sheds new light on the works of Chinese, Filipino, Indian, Japanese, Korean, and Vietnamese American writers who bear witness to a variety of urban experiences and reimagine the American city as other than a segregated nation-space. Drawing on critical theories on space from urban geography, ecocriticism, and postcolonial studies, Zhou shows how spatial organization shapes identity in the works of Sui Sin Far, Bienvenido Santos, Meena Alexander, Frank Chin, Chang-rae Lee, Karen Tei Yamashita, and others. She also shows how the everyday practices of Asian American communities challenge racial segregation, reshape urban spaces, and redefine the identity of the American city. From a reimagining of the nineteenth-century flaneur figure in an Asian American context to providing a framework that allows readers to see ethnic enclaves and American cities as mutually constitutive and transformative, Zhou gives us a provocative new way to understand some of the most important works of Asian American literature. --
530 _a2
_ub
650 0 _aAmerican literature
_xAsian American authors
_xHistory and criticism.
650 0 _aPublic spaces in literature.
650 0 _aCities and towns in literature.
650 0 _aAsian Americans in literature.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=934537&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPS.
_m2014
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c82813
_d82813
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell