000			02871cam a2200421Mi 4500
001			ocn903968172
003			OCoLC
005			20240726104921.0
008			150213t20152007oncah ob 001 0 eng d
040			_aE7B _beng _erda _epn _cE7B _dJSTOR _dOCLCF _dCELBN _dOCL _dDEBBG _dOCLCQ _dYDX _dYDXCP _dEBLCP _dNT _dMOR
016			_z20069054363
020			_a9781442628199 _q((electronic)l(electronic)ctronic)
043			_ae-fr---
050	0	4	_aPQ231 _b.S686 2015
049			_aMAIN
100	1		_aZecher, Carla, _d1959- _e1
245	1	0	_aSounding objects : _bmusical instruments, poetry, and art in Renaissance France / _cCarla Zecher.
246	3	0	_aMusical instruments, poetry, and art in Renaissance France
260			_aToronto [Ontario] ; _aBuffalo [New York] : _bUniversity of Toronto Press, _c(c)2007.
260			_aOttawa, Ontario : _bCanadian Electronic Library, _c(c)2015.
300			_a1 online resource (x, 241 pages) : _billustrations, facsimiles
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction -- _tOf strings, trumpets, and the future of French poetry -- _tMusical rivalries -- _tMusical instruments, governance, and oratory -- _tThe anatomy of the lute -- _tEpilogue.
520	1		_a"In Sounding Objects, Carla Zecher studies the representation of musical instruments in French Renaissance poetry and art, arguing that the efficacy of these material objects as literary and pictorial images was derived from their physical characteristics and acoustic properties, as well as from their aesthetic product." "Sounding Objects is concerned with ways in which musical culture provided poets with a rich, nuanced vocabulary for reflecting on their own art and its roles in courtly life, the civic arena, and salon society. Poets not only depicted the world of musical practice but also appropriated it, using musical instruments figuratively to establish their literary identities. Drawing on music treatises and archival sources as well as poems, paintings, and engravings, this study aims to enrich our understanding of the interplay of poetry, music, and art in this period, and highlights the importance of musical materiality to Renaissance culture."--Jacket.
530			_a2 _ub
650		0	_aFrench literature _y16th century _xHistory and criticism.
650		0	_aMusic and literature.
650		0	_aMusical instruments in art.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=933567&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPQ _m2007 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c82768 _d82768
902			_a1 _bCynthia Snell _c1 _dCynthia Snell