000			03549cam a2200409Ii 4500
001			ocn903967912
003			OCoLC
005			20240726104921.0
008			040720s2005 onc ob 001 0 eng d
040			_aE7B _beng _erda _cE7B _dJSTOR _dOCLCF _dCELBN _dEBLCP _dDEBSZ _dNT
016			_z20049045490
020			_a9781442657281 _q((electronic)l(electronic)ctronic)
043			_an-cn-bc
050	0	4	_aHE8700 _b.O556 2005
049			_aMAIN
100	1		_aTinic, Serra A. _q(Serra Ayse), _d1965- _e1
245	1	0	_aOn location : _bCanada's television industry in a global market / _cSerra Tinic.
260			_aToronto, Ontario : _bUniversity of Toronto Press, _c(c)2005.
300			_a1 online resource (xvii, 207 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aCultural spaces
504			_a2
505	0	0	_aLocal cultures and global quests: imagining the nation in Canadian broadcasting -- _tConstructing the global city: contextualizing 'Hollywood North' -- _tThe politics of 'space' and 'place': mandating 'national' identity in Canadian media policy -- _tGoing global: the disappearing domestic audience -- _tMarginal amusements: television comedy and the salience of place in the Canadian sensibility -- _tRegimes of community in 'Hollywood North': reproducing local and global cultures in a televisual world.
520	0		_a"Film and television production are important components of the Canadian economy. In Vancouver, popular American television series like The X-Files and Canadian series like Da Vinci's Inquest have boosted the city's profile as a centre for international and domestic productions. Serra Tinic's On Location is the first empirical analysis of regional Canadian television producers in the context of developing global media markets." "Tinic observes that global television production in Vancouver has been a contradictory process that has led to the homogenization of culturally specific storylines, while simultaneously facilitating the development of new avenues for international ventures. The author explains how federal and regional network considerations, funding guidelines, and partnerships with international co-producers affect the capacity of Canadian television producers to negotiate culturally specific storylines in the development process. She further investigates the concepts of globalization, culture, and national identity and their relationship to broadcasting from the perspectives of members of the television industry themselves, highlighting the extent to which industry practices in Vancouver epitomize current trends in global television production. On Location fills a major gap in contemporary media and cultural studies debates that question the connections between the politics of place, culture, and commerce within the larger context of cultural globalization."--Jacket.
530			_a2 _ub
650		0	_aTelevision broadcasting _xSocial aspects _zBritish Columbia _zVancouver.
650		0	_aTelevision _xSocial aspects _zBritish Columbia _zVancouver.
650		0	_aGlobalization.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=933529&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hHE.. _m2005 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c82757 _d82757
902			_a1 _bCynthia Snell _c1 _dCynthia Snell