000			02188cam a2200397Mi 4500
001			ocn904379942
003			OCoLC
005			20240726104919.0
008			150117t20142014ne ao o 001 0 eng d
010			_a2015386678
040			_aOTZ _beng _erda _epn _cOTZ _dOCLCO _dJSTOR _dYDXCP _dIDEBK _dOCLCF _dNT _dEBLCP _dDEBSZ _dYDX _dCCO _dIDB _dLOA _dCUS _dJBG _dCOCUF _dAGLDB _dK6U _dZ5A _dPIFAG _dFVL _dOTZ _dZCU _dOCLCQ _dMERUC _dOCLCQ _dEZ9 _dIOG _dU3W _dSTF _dVTS _dICG _dVT2
020			_a9789048523269 _q((electronic)l(electronic)ctronic)
020			_a9048523265 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1994 _b.C656 2014
050	0	4	_aPN1994
049			_aMAIN
100	1		_aBrinckmann, Christine, _d1937- _e1
245	1	0	_aColor and empathy : _bessays on two aspects of film / _cChristine N. Brinckmann ; cover design, Kok Korpershoek.
260			_aAmsterdam, Netherlands : _bAmsterdam University Press, _c(c)2014.
300			_a1 online resource (270 pages) : _billustrations (some color), photographs.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aFilm Culture in Transition
520	0		_aThis book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white and color, the emergence of bold color schemes in the 1950s, and empathetic viewer reactions to fictional characters, documentary subjects, animals, and architecture in film.
504			_a2
530			_a2 _ub
650		0	_aMotion pictures.
655		1	_aElectronic Books.
700	1		_aKorpershoek, Kok, _ecover designer.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=928817&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN _m2014 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c82673 _d82673
902			_a1 _bCynthia Snell _c1 _dCynthia Snell