000			03031cam a2200373Ki 4500
001			ocn896826688
003			OCoLC
005			20240726104916.0
008			141124s1990 ctug o 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dYDXCP _dEBLCP _dJSTOR
020			_a9780300157383 _q((electronic)l(electronic)ctronic)
050	0	4	_aMT55 _b.C686 1990
049			_aMAIN
100	1		_aThakar, Markand, _d1955- _e1
245	1	0	_aCounterpoint : _bfundamentals of music making / _cMarkand Thakar.
260			_aNew Haven [CT] : _bYale University Press, _c(c)1990.
300			_a1 online resource (xxii, 312 pages) : _bmusic.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_a""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction""; ""ONE: PRIMORDIAL LINE""; ""Elements of Line""; ""Stepwise Motion""; ""Discrete Participation""; ""Unitary Apprehension""; ""Attributes of a Tone""; ""Stepwise Foundation""; ""Addendum: The Minor Mode""; ""Cantus Firmus""; ""TWO: TWO-PART COUNTERPOINT""; ""Conjunct Lines""; ""Harmonic Intervals""; ""Addendum: Balance""; ""Conjunction""; ""Primordial Lines""; ""Independence""; ""Unitary Apprehension""; ""First Species""; ""THREE: DISSONANCE""; ""Elements of Dissonance""; ""Passing Tones""; ""Neighbor Tones""
505	0	0	_a""Successive Dissonances""""Cambiatas""; ""Dissonant Suspensions""; ""Second Species""; ""Third Species""; ""Fourth Species""; ""FOUR: RHYTHMIC VARIETY""; ""Characteristics of Rhythmic Variety""; ""Longer and Shorter Note Values""; ""Diverse Note Values""; ""Successive Short Note Values""; ""Fifth Species""; ""FIVE: THREE-PART COUNTERPOINT""; ""Three Conjunct Lines""; ""Triads""; ""Conjunction""; ""Primordial Lines""; ""Independence""; ""Unitary Apprehension""; ""First Species""; ""Second Species""; ""Third Species""; ""Fourth Species""; ""Fifth Species""; ""SIX: MIXED SPECIES""
505	0	0	_a""Conjunct Lines in Mixed Species""""Consonant Agents""; ""Multileveled Agency""; ""Implied Harmony""; ""Compound Melody""; ""Type 1""; ""Type 2""; ""Type 3""; ""Type 4""; ""SEVEN: CONSEQUENCES AND APPLICATIONS""; ""Consequences of Agency""; ""Performance""; ""Musical Passages""; ""Preliminary Considerations""; ""Passage A""; ""Passage B""; ""Functional Bass""; ""Whole Works""; ""Appendix: Write-Throughs""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""H""; ""I""; ""J""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""
530			_a2 _ub
650		0	_aCounterpoint.
650		4	_aCounterpoint.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=910003&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hMT _m(c)1990 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c82527 _d82527
902			_a1 _bCynthia Snell _c1 _dCynthia Snell