000			04126cam a2200577Mi 4500
001			ocn897640285
003			OCoLC
005			20240726104916.0
008			141206s2013 enk ob 001 0 eng d
040			_aEBLCP _beng _epn _erda _cEBLCP _dCN3GA _dOCLCO _dYDXCP _dNT _dOCLCF _dOCLCO _dOCLCQ
020			_a9781316263594
020			_a9781316266144
043			_ae-gr--- _ae------ _aff----- _aaw-----
050	0	4	_aPA3022 _b.E653 2013
049			_aMAIN
100	1		_aLovatt, Helen. _e1
245	1	0	_aEpic Visions : _bVisuality in Greek and Latin Epic and its Reception. _c
260			_aCambridge : _bCambridge University Press, _c(c)2013.
300			_a1 online resource (348 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aFigures; Tables; Contributors; Preface; Abbreviations; Introduction; Defining epic; Visualising epic; 1 Seeing in the dark: kleos, tragedy and perception in Iliad 101; Introduction; Why the Doloneia?; Agamemnon's gaze; Difficulties of vision and interpretation; Dolon's trick?; Losing (sight of) Rhesus; 2 Operatic visions: Berlioz stages Virgil; Opera and epic*; Trojan visions; How epic is Les Troyens?; The Trojan horse; The death of Dido; 3 Visualising Venus: epiphany and anagnorisis in Valerius Flaccus' Argonautica; Introduction; Epiphany and recognition at Lemnos.
505	0	0	_aVenus' Bacchae at LemnosSeeing Medea; Conclusion; 4 The look of the Late Antique Emperor and the art of praise; I have seen the emperor; Epic and viewing the emperor; The emperor on the battlefield; The emperor in the city; The emperor as work of art; 5 Intermediality in Latin epic -- _ten video quaecumque audita; Ekphrasis; Intermediality; Ovid; Lucan; Conclusions; 6 Viewing violence in Statius' Thebaid and the films of Quentin Tarantino; Tydeus and the fifty Thebans; Kiddo and the Crazy 88; Hypsipyle and the Lemnians; Marvin and Mr Blonde; Polynices and Eteocles; Hitler and the Bear Jew.
505	0	0	_aConclusion7 Storyboarding and epic; Introduction; Dido in Aeneid 4.68-75; Stag and hounds in Aeneid 7.475-95; Conclusion; 8 Epic in the round; Epic and sculpture; The pictorial qualities of Homer; Sculpture and epic distance; Epic in three dimensions; a. Thornycroft's Teucer; born Carpeaux's Hector; Beyond the Iliad; 9 Split-screen visions: Heracles on top of Troy in the Casa di Octavius Quartio in Pompeii; The Casa di Octavius Quartio (Regio II 2.2); Room (h); The Heracles frieze; The Iliad frieze; Heracles on top of Troy; 'Split screen' epic and epic visions.
505	0	0	_a10 Epic visions on the Tabulae IliacaeTabulating Homer; Entering the pictures; Sliding as you will; Epic visions of epic visions; Bibliography; Index locorum; General index.
520	0		_aA wide-ranging, interdisciplinary collection exploring different ways of visualising Greek and Roman epic in both ancient and modern culture.
530			_a2 _ub
650		0	_aEpic poetry, Greek _xHistory and criticism.
650		0	_aEpic poetry, Latin _xHistory and criticism.
650		0	_aArt and literature.
650		0	_aCivilization, Ancient, in art.
650		0	_aVisual perception in literature.
650		0	_aImagery (Psychology) in literature.
650		0	_aObject (Aesthetics) in literature.
650		4	_aArt and literature.
650		4	_aCivilization, Ancient, in art.
650		4	_aEpic poetry, Greek _xHistory and criticism.
650		4	_aEpic poetry, Latin _xHistory and criticism.
650		4	_aImagery (Psychology) in literature.
650		4	_aObject (Aesthetics) in literature.
650		4	_aVisual perception in literature.
655		1	_aElectronic Books.
700	1		_aVout, Caroline.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=909529&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPA. . _m2013 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c82519 _d82519
902			_a1 _bCynthia Snell _c1 _dCynthia Snell