000			01624cam a2200385Ii 4500
001			ocn895162109
003			OCoLC
005			20240726104914.0
008			141113t20142015cau ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dNT
020			_a9780520960015 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1995 _b.F556 2014
049			_aNTA
100	1		_aJacobs, Lea, _e1
245	1	0	_aFilm rhythm after sound : _btechnology, music, and performance / _cLea Jacobs.
260			_aOakland, California : _bUniversity of California Press, _c(c)2015.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction : film rhythm and the problem of sound -- _tA lesson with Eisenstein : rhythm and pacing in Ivan the Terrible, Part I -- _tMickey Mousing reconsidered -- _tLubitsch and Mamoulian -- _tDialogue timing and performance in Hawks.
530			_a2 _ub
650		0	_aSound in motion pictures.
650		0	_aMotion picture music.
650		0	_aDialogue in motion pictures.
650		0	_aMotion pictures _xProduction and direction.
650		0	_aRhythm.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=898996&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN. _m2015 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c82432 _d82432
902			_a1 _bCynthia Snell _c1 _dCynthia Snell