000 04276cam a2200481Ii 4500
001 ocn896833577
003 OCoLC
005 20240726104914.0
008 141021t20142014xr ao ob 000 0 eng d
040 _aE7B
_beng
_erda
_epn
_cE7B
_dOCLCO
_dNT
_dYDXCP
_dOCLCF
_dEBLCP
_dAGLDB
_dSTF
_dOCLCQ
_dVTS
_dAU@
_dREC
_dVGM
_dOCLCQ
020 _a9788024625966
_q((electronic)l(electronic)ctronic)
020 _a8024625962
_q((electronic)l(electronic)ctronic)
043 _ae-xr---
050 0 4 _aML247
_b.P734 2014
049 _aMAIN
245 1 0 _aPrague soundscapes /Zuzana Jurková [and ten others] ; reviewed by Miloš Havelka, Speranţa Rădulescu ; translated by Valerie Levy ; proofread by Tamah Sherman and Daniel Morgan.
260 _a[Prague, Czech Republic] :
_bKarolinum Press,
_c(c)2014.
300 _a1 online resource (320 pages) :
_bcolor illustrations, photographs
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
504 _a1 at the end of each chapters.
505 0 0 _aChapter 1 Listening to the music of a city; Listening to the music of a city; Writing about the music of a city, specifically Prague; Chapter 2 Music and identity; Music and identity; The myth of Romani music in contemporary Prague; Feng-yün Song Voice Painting; Nowruz, twice in a different way; "Ethnic" music for entertainment; Malanka, the Ukrainian ball ; Refufest ; What does it mean?; Chapter 3 Music and social stratification; Antonín Dvořák: Rusalka; Alan Lomax on music as an indicator of social complexity; The Makropulos Case as a semiotic experience.
505 0 0 _aLucid dreams of Mr. William Heerlein LindleyChapter 4 Music and rebellion; Benefest Vol. 1; Face tigers and Stillknox; Rock'n'roll Rebel; Michel Maffesoli on Urban Nomads; Tom Stoppard: Rock 'n' Roll ; Chapter 5 Music as goods; Film Mňága --
_tHappy End; Music as Goods/Business; Creative Commons; Public Seminar of the Czech Radio Council on music program direction of Czech Radio 1; Děti ráje (Children of Paradise) --
_tcollective memory as business; Theodor Adorno on popular music and its fetishist character; How to Have a Number One the Easy Way; A Walk along the Royal Road.
505 0 0 _aPrague Castle Concert Pearls of Czech and World Classical MusicChapter 6 Electronic Dance Music; Electronic Dance Music; Loss Tekenos in the Cross Club; History of Electronic Dance Music; Andělka Free Party ; Syllabus --
_tPsychedelic Trance and Broken Beatz; Judith Becker on music and trance; Unlocking the groove of habit; Chapter 7 Music and spirituality; Hare Krishna Mantra in Prague streets: the sacred, music and trance; The Saint Wenceslas Festival; Thomas Turino on Music as Social Life; Gospel Workshop; Summary; References.
520 0 _aPrague Soundscapes is the first book focusing on music in Prague from other than musical-historical perspectives. It approaches musical events in present-day Prague from an ethno-musicological position, sometimes called musical anthropology. We take in, for instance, the Refufest festival, a punk concert at the Modrá vopice club, a performance of Dvorák's Rusalka at the National Theatre or accompany followers of the Hare Krishna and their procession through Prague - not just to see and ""hear"" their music, but also to learn who makes and listens to it and why. An abundance of photographs accom.
530 _a2
_ub
650 0 _aMusic
_zCzech Republic
_zPrague
_xHistory and criticism.
650 0 _aEthnomusicology
_zCzech Republic
_zPrague.
650 0 _aPerforming arts
_zCzech Republic
_zPrague.
655 1 _aElectronic Books.
700 1 _aJurková, Zuzana,
_e1
700 1 _aHavelka, Miloš,
_ereviewer.
700 1 _aRădulescu, Speranța,
_ereviewer.
700 1 _aSherman, Tamah,
_eproofreader.
700 1 _aLevy, Valerie,
_etrl
700 1 _aMorgan, Daniel,
_d1970-
_eproofreader.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=887139&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hML..
_m2014
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c82414
_d82414
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell