000			02942cam a2200361Ii 4500
001			ocn894894442
003			OCoLC
005			20240726104914.0
008			141110s2015 caua ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dYDXCP _dTEFOD _dOCLCQ _dE7B _dNT
020			_a9780520959552 _q((electronic)l(electronic)ctronic)
043			_an------
050	0	4	_aPN1995 _b.A438 2015
049			_aNTA
100	1		_aTepperman, Charles, _d1974- _e1
245	1	0	_aAmateur cinema : _bthe rise of North American movie making, 1923-1960 / _cCharles Tepperman.
260			_aOakland, California : _bUniversity of California Press, _c(c)2015.
300			_a1 online resource : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aCin-prophecy : the emergence of amateur cinema (1925-1930) -- _tCin-community : the first wave of amateur film culture (1930-1945) -- _tCin-engagement : amateurs and current events -- _tCin-technology : machine art for a machine age -- _tCin-sincerity: postwar amateur film culture (1945-1960) -- _tModes of amateur cinema -- _tAmateur chronicles of family, community and travel -- _tAmateur experimentation and the aesthetic vanguard -- _tMechanical craftsmanship : amateurs making practical films -- _tPhotoplaying themselves : amateur fiction films.
520	0		_a"From the very beginning of cinema, there have been amateur filmmakers at work. It wasn't until Kodak introduced 16mm film in 1923, however, that amateur moviemaking became a widespread reality, and by the 1950s, over a million Americans had amateur movie cameras. In Amateur Cinema, Charles Tepperman explores the meaning of the 'amateur' in film history and modern visual culture. In the middle decades of the twentieth century--the period that saw Hollywood's rise to dominance in the global film industry--a movement of amateur filmmakers created an alternative world of small-scale movie production and circulation. Organized amateur moviemaking was a significant phenomenon that spawned dozens of clubs and thousands of participants producing experimental, nonfiction, or short-subject narratives. Rooted in an examination of surviving films, this book traces the contexts of 'advanced' amateur cinema and articulates the broad aesthetic and stylistic tendencies of amateur films"--Provided by publisher.
530			_a2 _ub
650		0	_aAmateur films _xProduction and direction _zNorth America _xHistory _y20th century.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=886950&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN. _m2015 _QOL _R _x _8NFIC _2LOC
994			_a02 _bNT
999			_c82410 _d82410
902			_a1 _bCynthia Snell _c1 _dCynthia Snell