000			04097cam a2200409Ii 4500
001			ocn893439284
003			OCoLC
005			20240726104912.0
008			141020s2014 nbua ob s001 0 eng d
040			_aNT _beng _erda _epn _cNT _dYDXCP _dE7B _dCUS _dOCLCQ _dOCLCO _dP@U _dTEFOD _dOCLCF _dTEFOD _dJSTOR
020			_a9780803274150 _q((electronic)l(electronic)ctronic)
020			_a9780803274167 _q((electronic)l(electronic)ctronic)
050	0	4	_aGN380 _b.P474 2014
049			_aMAIN
245	1	0	_aPerforming indigeneity : _bglobal histories and contemporary experiences / _cedited by Laura R. Graham, H. Glenn Penny.
260			_aLincoln : _bUniversity of Nebraska Press, _c(c)2014.
300			_a1 online resource (ix, 431 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
520	0		_a"This engaging collection of essays discusses the complexities of "being" indigenous in public spaces. Laura R. Graham and H. Glenn Penny bring together a set of highly recognized junior and senior scholars, including indigenous scholars, from a variety of fields to provoke critical thinking about the many ways in which individuals and social groups construct and display unique identities around the world. The case studies in Performing Indigeneity underscore the social, historical, and immediate contextual factors at play when indigenous people make decisions about when, how, why, and who can "be" indigenous in public spaces. Performing Indigeneity invites readers to consider how groups and individuals think about performance and display and focuses attention on the ways that public spheres, both indigenous and nonindigenous ones, have received these performances. The essays demonstrate that performance and display are essential to the creation and persistence of indigeneity, while also presenting the conundrum that in many cases "indigeneity" excludes some of the voices or identities that the category purports to represent."-- _cProvided by publisher.
504			_a2
505	0	0	_aPerforming Indigeneity : Emergent Identity, Self-Determination, and Sovereignty / _rLaura R. Graham and H. Glenn Penny -- _tLiving Traditions : A Manifesto for Critical Indigeneity / _rBernard Perley -- _tCulture Claims : Being Maasai at the United Nations / _rDorothy L. Hodgson -- _tA White Face for the Cofán Nation? : Randy Borman and the Ambivalence of Indigeneity / _rMichael L. Cepek -- _tPerformed Alliances and Performative Identities : Tupinamba in the Kingdom of France / _rBeatriz Perrone-Moisés -- _tRethinking Sami Agency during Living Exhibitions : From the Age of Empire to the Postwar World / _rCathrine Baglo -- _tNot Playing Indian : Surrogate Indigeneity and the German Hobbyist Scene / _rH. Glenn Penny -- _tThe Return of K? : Re-membering Hawaiian Masculinity, Warriorhood, and Nation / _rTy P. K'wika Tengan -- _tBone-Deep Indigeneity : Theorizing Hawaiian Care for the State and Its Broken Apparatuses / _rGreg Johnson -- _tHaka : Colonized Physicality, Body-Logic, and Embodied Sovereignty / _rBrendan Hokowhitu -- _tGenders of Xavante Ethnographic Spectacle : Cultural Politics of Inclusion and Exclusion in Brazil / _rLaura R. Graham -- _tShowing Too Much or Too Little : Predicaments of Painting Indigenous Presence in Central Australia / _rFred Myers -- _tCities : Indigeneity and Belonging / _rMark K. Watson.
530			_a2 _ub
650		0	_aIndigenous peoples _xEthnic identity.
650		0	_aEthnicity _xSocial aspects.
650		0	_aGroup identity.
650		0	_aPublic spaces _xSocial aspects.
655		1	_aElectronic Books.
700	1		_aGraham, Laura R., _d1956- _e5
700	1		_aPenny, H. Glenn, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=867519&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hGN _m2014 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c82277 _d82277
902			_a1 _bCynthia Snell _c1 _dCynthia Snell