000 | 03093cam a2200385Ii 4500 | ||
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001 | ocn893336453 | ||
003 | OCoLC | ||
005 | 20240726104912.0 | ||
008 | 141018s2015 cau ob 001 0 eng d | ||
010 | _a2014031037 | ||
040 |
_aEBLCP _beng _erda _epn _cEBLCP _dTEFOD _dNT _dJSTOR _dNT _dYDXCP _dE7B _dOCLCF _dTEFOD _dCHVBK _dOCLCO _dCGU _dOCLCQ _dOCLCO _dOCL _dAGLDB _dICA _dCCO _dIAT _dPIFAG _dZCU _dMERUC _dCOO _dOCLCQ _dIOG _dOCLCO _dJBG _dU3W _dEZ9 _dD6H _dSTF _dOCLCA _dVTS _dICG _dINT _dVT2 _dOCLCQ _dOCLCO _dWYU _dLVT _dOCLCA _dBRX _dTKN _dOCLCQ _dDKC _dOCLCO _dOCLCQ _dM8D _dCEF _dHS0 _dSFB _dOCLCQ _dOCLCO _dMM9 _dQGK _dOCLCO |
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020 |
_a9780520960022 _q((electronic)l(electronic)ctronic) |
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043 | _an-us--- | ||
050 | 0 | 4 |
_aPN6725 _b.F866 2015 |
049 | _aMAIN | ||
100 | 1 |
_aBarrier, J. Michael, _e1 |
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245 | 1 | 0 |
_aFunnybooks : _bthe improbable glories of the best American comic books / _cMichael Barrier. |
260 |
_aOakland, California : _bUniversity of California Press, _c(c)2015. |
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300 | _a1 online resource (434 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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504 | _a2 | ||
505 | 0 | 0 |
_tMickey in a Magazine -- _tOskar Lebeck Meets Walt Kelly -- _tWhitman, K.K., and Dell -- _tLearning on the Job in L.A. -- _tFeel for Walt Kelly's Stuff -- _tAnimal Magnetism -- _tCartoon Conundrums -- _tCarl Barks Makes His Break -- _tBarks Becomes the Duck Man -- _tWorkman: Gaylord DuBois -- _tObserver: John Stanley -- _t"I Am a Backwoods Bumpkin" -- _t"Pure Corn" at Disney's -- _tSpecial Talents -- _tBarks Masters His Medium -- _tArena for All the Passions -- _tAnimal Kingdoms -- _tWalt Kelly Branches Out -- _tStrong-Handed Friends -- _tCarl Barks: The Virtuoso -- _tWalt Kelly Escapes -- _tOskar Lebeck in Exile -- _tManifest Destiny -- _tUncle Scrooge: Play Money -- _tCarl Barks in Purgatory -- _tSlow Fade -- _tDisasters. |
520 | 0 | _aFunnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, ""Dell Comics Are Good Comics"" was more than a slogan-it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely di. | |
530 |
_a2 _ub |
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650 | 0 |
_aComic books, strips, etc. _zUnited States _xHistory and criticism. |
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650 | 0 |
_aComic books, strips, etc. _zUnited States _xHistory and criticism _y20th century. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=867461&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN _m2015 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c82271 _d82271 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |