000			02932cam a2200445 i 4500
001			on1352972021
003			OCoLC
005			20240726104859.0
008			221203t20222022stka ob 001 0 eng d
040			_aEBLCP _beng _epn _erda _cEBLCP _dNT _dDEGRU _dJSTOR _dUKMGB _dSFB _dWAU _dUKAHL
015			_aGBC2D2928 _2bnb
016	7		_a020691893 _2Uk
020			_a9781474484152 _qw((electronic)l(electronic)ctronic)br((electronic)l(electronic)ctronic)ady PDF
020			_a9781474484169 _q((electronic)l(electronic)ctronic)((pa(print & electronic)rback)a((pa(print & electronic)rback)rint & (electronic)l(electronic)ctronic)rback)ub
050	0	4	_aPN1995 _b.S374 2022
049			_aMAIN
100	1		_aLeberg, Dan, _e1
245	1	0	_aScreen acting : _ba cognitive approach / _cDan Leberg.
260			_aEdinburgh : _bEdinburgh University Press Ltd, _c(c)2022.
300			_a1 online resource (x, 209 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_tIntroduction : The missing parts -- _tThe moving parts -- _tAll by our selves : Empathy and acting -- _tThe actor's three empathetic connections -- _tActing culture and audition preparation -- _tEmpathetic work prior to shooting -- _tEmpathy on set -- _tConclusion : "Ready for my close-up."
520	0		_a"Takes a cognitive approach to screen acting. This book approaches film and television acting from an actor's perspective rather than that of an audience member, and therefore theorizes how screen acting works as a process that engages an actor's memory, imagination, emotions, and physical body in the creation of a character. It argues that film actors strive to perform profound empathetic connections with their characters and fellow actors, and then put themselves out there through performing to make those connections clear to the eventual audience. It combines interviews with working professional film and television actors, key insights and methods from Film, Television, and Theatre Studies, and theories of imagination and embodiment to show that screen actors are more than just 'the moving parts' of the mise-en-scene."-- _cProvided by publisher.
530			_a2 _ub
650		0	_aMotion picture acting _xPsychological aspects.
650		0	_aMotion picture acting.
650		0	_aTelevision acting _xPsychological aspects.
650		0	_aTelevision acting.
650		0	_aEmotions and cognition.
650		4	_aFilm, Media & Cultural Studies.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3464761&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hPN. _m2022 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c81510 _d81510
902			_a1 _bCynthia Snell _c1 _dCynthia Snell