000			03123cam a2200373 i 4500
001			on1350748434
003			OCoLC
005			20240726104859.0
008			221114s2022 ne a ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dUKAHL _dJSTOR _dNT _dOCLCF _dEBLCP _dP@U _dDEGRU _dOCLCQ _dNLAUP
020			_a9789048552634 _q((electronic)l(electronic)ctronic)
020			_a904855263X _q((electronic)l(electronic)ctronic)
050	0	4	_aSB451 _b.M375 2022
049			_aMAIN
100	1		_aTaylor-Leduc, Susan, _e1
245	1	0	_aMarie-Antoinette's legacy : _bthe politics of French garden patronage and picturesque design, 1775-1867 / _cSusan Taylor-Leduc.
260			_aAmsterdam : _bAmsterdam University Press, _c(c)2022.
300			_a1 online resource : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
520	8		_aChallenging the established historiography that frames the French picturesque garden movement as an international style, this book contends that the French picturesque gardens from 1775 until 1867 functioned as liminal zones at the epicenter of court patronage systems. Four French consorts - queen Marie-Antoinette and empresses Joséphine Bonaparte, Marie-Louise and Eugénie - constructed their gardens betwixt and between court ritual and personal agency, where they transgressed sociopolitical boundaries in order to perform gender and identity politics. Each patron endorsed embodied strolling, promoting an awareness of the sentient body in artfully contrived sensoria at the Petit Trianon and Malmaison, transforming these places into spaces of shared affectivity. The gardens became living legacies, where female agency, excluded from the garden history canon, created a forum for spatial politics. Beyond the garden gates, the spatial experience of the picturesque influenced the development of cultural fields dedicated to performances of subjectivity, including landscape design, cultural geography and the origination of landscape aesthetics in France.
505	0	0	_tFrontmatter -- _tTable of Contents -- _tList of Illustrations -- _tAcknowledgments -- _tIntroduction: Spatial Legacies -- _tPrologue: Consorts and Fashionistas -- _t1 A Gambling Queen: Marie-Antoinette's Gamescapes (1775-1789) -- _t2 Revolutionary Surprises (1789-1804) -- _t3 A Créole Empress: Joséphine at Malmaison (1799-1810) -- _t4 The Imperial Picturesque: Napoléon, Joséphine, and Marie-Louise (1810-1814) -- _t5 Empress Eugénie: Picturesque Patrimony at the Universal Exposition of 1867 -- _tEpilogue -- _tIndex
530			_a2 _ub
650		0	_aGardens, French.
650		0	_aGardens _xSocial aspects _xHistory.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3442015&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hSB.. _m2022 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c81495 _d81495
902			_a1 _bCynthia Snell _c1 _dCynthia Snell