| 000 | 07099cam a2200781Mi 4500 | ||
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| 001 | on1343103627 | ||
| 003 | OCoLC | ||
| 005 | 20240726104857.0 | ||
| 008 | 220830t20222022stk fod z000 0 eng d | ||
| 040 |
_aDEGRU _beng _erda _cDEGRU _dJSTOR _dOCLCF _dEBLCP _dNT |
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| 020 |
_a9781474459013 _q((electronic)l(electronic)ctronic) |
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| 044 |
_astk _cGB-SCT |
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| 050 | 0 | 4 |
_aPN1993 _b.G744 2022 |
| 049 | _aMAIN | ||
| 245 | 1 | 0 | _aGreek Film Noir /ed. by Anna Poupou. |
| 260 |
_aEdinburgh : _bEdinburgh University Press, _c(c)2022. |
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| 300 |
_a1 online resource (320 pages) : _b30 B/W illustrations 30 B&W images. |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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| 490 | 0 | _aTraditions in World Cinema : TWC | |
| 504 | _a2 | ||
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tList of Figures -- _tAcknowledgements -- _tContributors -- _tTraditions in World Cinema -- _tForeword -- _tIntroduction -- _tPART I. PARTNERS IN CRIME: RECEPTIONS, AFFINITIES, HYBRIDITIES -- _t1 There Will Be Ogres: The Interstitial Aesthetics of Film Noir in the Early Films of Nikos Koundouros -- _t2 Of Mice, Men and Greek Film Noir: The Little Mouse -- _t3 Historical Coincidence or Generic Cross-Pollination? The Angry Hills and the Birth of Film Noir in Greece -- _t4 Noir Backstage: Yannis Maris from Page to Screen -- _t5 Dark Cinema, Dark Sounds: Mimis Plessas and the Integration of Jazz into Greek Film Noir -- _t6 Fatal Absences and Female Gazes: Alternative Femininities in Greek Film Noir and the Psychological Thriller -- _t7 Bums and Dark Alleys: Constructing Queerness in a Mid-1960s Greek Noir -- _tPART II. POLITICAL ASPECTS AND TRANSNATIONAL DYNAMICS OF THE GREEK NEO-NOIR -- _t8 A Dark Intrigue of Murder: Kierion and Reconstruction, or Film Noir as Politics -- _t9 Neo-Noir and 'Becoming-Murderer' in Tonia Marketaki's John the Violent -- _t10 The Unbearable Queerness of Singapore Sling: Towards a Queer Ethics and Politics of Irony -- _t11 Hong Kong and Athens: Contested Spaces of the Global and the Local in the Neo-Noir of John Woo and Alexis Alexiou -- _t12 Darker Worlds Come in Small Packages: Neo-Noir Sensibility in Greek Cypriot Short Films -- _t13 Greek Sleuths and Tough Cops: Noir Masculinities in Television Crime Shows (1992-2020) -- _t14 Mediterranean Film Noir: Twilight Falls on mare nostrum -- _tAppendix: Greek Films and Television Series/Shows Featuring Dominant Noir or Neo-Noir Tropes -- _tIndex |
| 520 | 0 | _aInvestigates how film noir has been received, adapted and developed in Greece, from the 1940s to the presentTraces the evolution of a scholarly neglected - in the Greek context - film genre; it introduces an original corpus of texts extending from the 1940s to the present Offers a panoramic overview of leading Greek auteur figures, from Nikos Koundouros and Tonia Marketaki to Theo Angelopoulos and Nikos Nikolaidis, viewing their work, for the first time, from a film-noir stylistic and thematic perspectivePresents the cultural context of a noir universe in post-WWII Greece, including: pulp fiction and crime literature, jazz and pop music, media discourses, Greek commercial cinema's advertising and promotional strategiesExplores the historical representations and ideological debates reflected in the Greek film noir in the aftermath of WWII and the Greek Civil War and traces the political re-appropriation of the genre by the left-wing filmmakers of New Greek Cinema during the military junta (1967-1974) Explains the reasons behind the post-2009 crisis revival of the noir genre in contemporary Greek cinema and the Greek Weird WaveConfirms noir's particular tendency to transcend boundaries as it spills out onto other genres, producing innovative hybrids; and its ability to express the gender and socio-political anxieties of its eraPresents an argument for the transnational character of the noir phenomenon and the complex relationship of European cinemas with HollywoodOffering the first comprehensive study of Greek film noir, this book explores the reception and influence of U.S. and European film noir and neo-noir in Greece and their effect on Greek filmmaking. Employing theoretical frameworks from New Film History, it offers a fresh look at underrated or neglected cultural products to provide insights into Greek modernity and reveal the affinities of established Greek auteurs with the film-noir tradition. Firmly establishing Greece on the film noir cinematic map, it provides a panoramic overview of leading Greek auteurs, from Nikos Koundouros and Maria Plyta to Theo Angelopoulos and Nikos Nikolaidis, whose work is innovatively viewed from an angle of film-noir style and thematics. | |
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| 650 | 0 |
_aMotion pictures _zGreece _xHistory. |
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| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 655 | 1 | _aElectronic Books. | |
| 700 | 1 |
_aAgathos, Thanassis, _econtributor. |
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| 700 | 1 |
_aAitaki, Georgia, _econtributor. |
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| 700 | 1 |
_aBroe, Dennis, _econtributor. |
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| 700 | 1 |
_aChairetis, Spyridon, _econtributor. |
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| 700 | 1 |
_aChalkou, Maria, _econtributor. |
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| 700 | 1 |
_aChen, Yun-hua, _econtributor. |
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| 700 | 1 |
_aConstandinides, Costas, _econtributor. |
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| 700 | 1 |
_aFessas, Nikitas, _econtributor. |
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| 700 | 1 |
_aKaralis, Vrasidas, _econtributor. |
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| 700 | 1 |
_aMermigka, Ioulia, _econtributor. |
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| 700 | 1 |
_aPoulakis, Nick, _econtributor. |
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| 700 | 1 |
_aPoupou, Anna, _econtributor. |
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| 700 | 1 |
_aPoupou, Anna, _e5 |
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_aPsaras, Marios, _econtributor. |
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_aSpicer, Andrew, _econtributor. |
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| 700 | 1 |
_aStassinopoulou, Maria A., _econtributor. |
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| 700 | 1 |
_aTzioumakis, Yannis, _econtributor. |
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_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3389746&site=eds-live&custid=s3260518 |
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