000 | 03178cam a2200457 i 4500 | ||
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001 | on1328035731 | ||
003 | OCoLC | ||
005 | 20240726104853.0 | ||
008 | 220610s2022 stka ob 000 0 eng d | ||
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_aJSTOR _beng _erda _epn _cJSTOR _dEBLCP _dOCLCQ _dNT _dDEGRU _dVVC _dUKMGB _dOCLCQ _dUKAHL _dOCL |
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_aGBC225428 _2bnb |
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016 | 7 |
_a020490528 _2Uk |
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_a9781474486477 _q((electronic)l(electronic)ctronic) |
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043 | _ae-fr--- | ||
050 | 0 | 4 |
_aPN1993 _b.D475 2022 |
049 | _aMAIN | ||
100 | 1 |
_aWatt, Calum, _e1 |
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_aDerivative images : _bfinancial derivatives in french film, literature and thought / _cCalum Watt. |
260 |
_aEdinburgh : _bEdinburgh University Press, _c(c)2022. |
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_a1 online resource (ix, 188 pages) : _billustrations |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aEdinburgh studies in film and intermediality | |
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_aIntroduction: The 2008 Financial Crisis, Film and Literature -- _t1. Lordon and the 2008 Crisis -- _tD'un retournement l'autre -- _t'Une image bien choisie qui fait bouillir les sangs': Images and Affects -- _tLordon, Images and Committed Art -- _tThe Anarchic Condition -- _t2. The Saints of the Crisis: Larnaudie and Stiegler in the Oversight Committee Room -- _tLes Effondres and the Collapse of Market Ideology -- _tGreenspan before Congress -- _tProletarisation and Transvaluation -- _t3. The Derivative in Film and Literary Theory -- _tDerivatives and Nonknowledge -- _tDerivative Images -- _tIs the Psyche a Market? -- _tDerivative Creativity -- _tConclusion -- _t4. Trading in Images: The Case of Kerviel -- _tScreens within Screens -- _tKerviel at Societe Generale -- _tTrading as metier, the Trader as Functionary -- _tSuicide and Societe Generale -- _t5. Derivative Films -- _tEffacing the Visual Currency: The Fountainhead -- _t'L'argent est un bien public': Film Socialisme -- _t'The images are there for the taking': Film Catastrophe -- _t6. Dreaming Futures -- _tArgent and Value -- _t'Fin de regne': Rever sous le capitalisme -- _t'Ca imprime, ca imprime': L'Epoque, Escaparates |
505 | 0 | 0 |
_aConclusion: Ambivalences of the Derivative -- _tSelect Bibliography -- _tSelect Filmography -- _tIndex |
520 | 0 | _aA theoretical, interdisciplinary reading of French film and literary texts inspired by the 2008 global financial crisis. | |
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_a2 _ub |
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_aGlobal Financial Crisis, 2008-2009 _xIn motion pictures. |
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_aGlobal Financial Crisis, 2008-2009 _xIn literature. |
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_aGlobal Financial Crisis, 2008-2009 _xIn popular culture. |
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650 | 0 |
_aMotion pictures _zFrance _xHistory _y21st century. |
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650 | 0 |
_aFrench literature _y21st century _xHistory and criticism. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3301836&site=eds-live&custid=s3260518 |
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_cOB _D _eEB _hPN.. _m2022 _QOL _R _x _8NFIC _2LOC |
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_c81215 _d81215 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |