000 | 03234cam a2200481 i 4500 | ||
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001 | on1341396935 | ||
003 | OCoLC | ||
005 | 20240726104853.0 | ||
008 | 220819s2022 txu ob 001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dEBLCP _dNT _dOCLCF _dJSTOR _dUKAHL _dDEGRU _dOCLCQ _dMTH |
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020 |
_a9781477325636 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aBH301 _b.C656 2022 |
049 | _aMAIN | ||
100 | 1 |
_aTinsley, Omise'eke Natasha, _d1971- _e1 |
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245 | 1 | 0 |
_aThe color pynk : _bblack femme art for survival / _cOmise'eke Natasha Tinsley. |
250 | _aFirst edition. | ||
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_aAustin : _bUniversity of Texas Press, _c(c)2022. |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_aPrologue. For Alice Walker -- _tIntroduction. Femme-inist is to feminist as PYNK is to pink -- _tPart One. Pussy power and nonbinary vaginas -- _tJanelle Monáe : fem futures, pynk pants, and pussy power -- _tIndya Moore : nonbinary wild vagina dresses and biologically femme penises -- _tPart Two. Hymns for crazy black femmes -- _tKelsey Lu : braids, twists, and the shapes of black femme depression -- _tTourmaline : head scarves and freedom dreams -- _tPart Three. Black femme environmentalism for the futa -- _t(F)empower : swimwear, wade-ins, and trashy ecofeminism -- _tJuliana Huxtable : black witch-cunt lipstick and kinky vegan femme-inism -- _tConclusion. Where is the black in black femme freedom? -- _tEpilogue. For my child -- _tAfterword by Candice Lyons : pynk parlance, a glossary. |
520 | 0 |
_a"This book is a series of examinations of Black queer cis and transfeminity, a personal and loving homage to "Black femmes poetics of survival during the Trump era and beyond." Tinsley examines contemporary Black femme cultural production: the music of Kelsey Lu and Janelle Monáe; the visual work of Juliana Huxtable; Janet Mock's writing/directing of the TV show Pose, and the creations of Tourmaline; the fashion of Indya Moore; and (F)empower. She is interested in Black femme representations in film, popular music, television, graphic novels, and poetry to conceptualize Black femme as figuration: that is, as a set of consciously, continually rescripted cultural and aesthetic practices that disrupt conventional meanings of race, gender, and sexuality"-- _cProvided by publisher. |
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_a2 _ub |
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600 | 1 | 0 | _aLu, Kelsey. |
600 | 1 | 0 | _aMonáe, Janelle. |
600 | 1 | 0 |
_aHuxtable, Juliana, _d1987- |
600 | 1 | 0 |
_aMock, Janet, _d1983- |
600 | 0 | 0 | _aTourmaline. |
600 | 1 | 0 | _aMoore, Indya. |
650 | 0 | _aFeminist aesthetics. | |
650 | 0 | _aFeminism and the arts. | |
650 | 0 | _aWomanism. | |
650 | 0 | _aAfrican American sexual minorities. | |
650 | 0 | _aAfrican American feminists. | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3300902&site=eds-live&custid=s3260518 |
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_cOB _D _eEB _hBH. _m2022 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c81210 _d81210 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |