000			03387cam a2200421 i 4500
001			on1295619052
003			OCoLC
005			20240726104852.0
008			220130s2022 cauab ob 001 0 eng
010			_a2022004428
040			_aDLC _beng _erda _cDLC _dOCLCO _dOCLCF _dOCLCO _dNT _dYDX
020			_a9781503631694 _q((electronic)l(electronic)ctronic)
042			_apcc
043			_aff-----
050	0	4	_aML3502 _b.R436 2022
049			_aMAIN
100	1		_aSilver, Christopher _q(Christopher Benno), _e1
245	1	0	_aRecording history : _bJews, Muslims, and music across twentieth-century North Africa / _cChristopher Silver.
260			_aStanford, California : _bStanford University Press, _c(c)2022.
300			_a1 online resource (xvii, 300 pages) : _billustrations, maps
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction -- _tThe birth of the recording industry in North Africa -- _tThe Arab Charleston and the foxtrot -- _tNationalist records -- _tListening for World War II -- _tSinging independence -- _tCurtain call -- _tConclusion.
520	0		_a"A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices--of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons--whose music still resonates well into our present"-- _cProvided by publisher.
530			_a2 _ub
650		0	_aPopular music _zAfrica, North _xHistory and criticism.
650		0	_aSound recording industry _zAfrica, North _xHistory _y20th century.
650		0	_aJews _zAfrica, North _xMusic _xHistory and criticism.
650		0	_aArabs _zAfrica, North _xMusic _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3280430&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hML. _m2022 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c81126 _d81126
902			_a1 _bCynthia Snell _c1 _dCynthia Snell