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008 210831s2022 iluab ob 001 0 eng
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_q((electronic)l(electronic)ctronic)
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050 0 4 _aML3917
_b.M664 2022
049 _aMAIN
245 1 0 _aMongolian sound worlds /edited by Jennifer C. Post, Sunmin Yoon, and Charlotte D'Evelyn.
260 _aUrbana :
_bUniversity of Illinois Press,
_c(c)2022.
300 _a1 online resource (x, 293 pages) :
_billustrations, maps
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
504 _a2
505 0 0 _aIntroduction. Mongolian Sound Worlds : Opening Snapshots /
_rSunmin Yoon --
_tPART ONE. LANDSCAPES AND SOUNDSCAPES. Interlude : Song about the Steppe /
_rOktyabr and Jennifer C. Post ; Sound, Music, Pastoralism, and Nature in Mongolian Sound Worlds /
_rJennifer C. Post --
_tPART TWO. ETHNICITY AND DIVERSITY. Interlude. Musical Journeys in Inner Mongolia and Beyond /
_rTamir Hargana and Charlotte D'Evelyn ; Music and Ethnic Identity in Inner Mongolia /
_rCharlotte D'Evelyn ; The Politics of Regional and Ethnic Identities in Contemporary Mongolian Urtyn duu /
_rSunmin Yoon ; Gendered Musicality in the Altai Mountains /
_rRebekah Plueckhahn --
_tPART THREE. MATERIAL AND SOCIAL HISTORY. Interlude. Consistency, Patience, and Perseverance : Maintaining the Fiddle-Making Tradition /
_rBayarsaikhan Badamsuren and Peter K. Marsh ; The Horsehead Fiddle : A Biographical History /
_rPeter Marsh and Charlotte D'Evelyn ; The Tovshuur and Oirad Identity in Mongolia's Western Provinces /
_rOtgonbayar Chuulunbaatar ; Social Lives of the Dombyra and Its Makers in Western Mongolia /
_rJennifer C. Post --
_tPART FOUR. HERITAGE AND GLOBALIZATION. Interlude. Everything Has Two Sides : An Interview /
_rAndrew Colwell and D. Tserendavaa ; Chandman' and Beyond : Heritage-making of Mongolian Khöömii in Past and Present /
_rJohanni Curtet ; Mongolian Music, Globalization, and Nomadism /
_rAndrew Colwell ; "We Were Born with Global Ambition" : Continuity, Innovation, and a New Chapter in the Development of Mongolian Popular Music /
_rPeter K. Marsh.
520 0 _a"Music cultures today in rural and urban Mongolia and Inner Mongolia emerge from centuries-old pastoralist practices that were reshaped by political movements in the twentieth century. Mongolian Sound Worlds investigates the unique sonic elements, fluid genres, social and spatial performativity, and sounding objects behind new forms of Mongolian music--forms that reflect the nation's past while looking towards its globalized future. Drawing on fieldwork in locations across the Inner Asian region, the contributors report on Mongolia's genres and musical landscapes; instruments like the morin khuur, tovshuur, and Kazakh dombyra; combined fusion band culture; and urban popular music. Their broad range of concerns include nomadic herders' music and instrument building, ethnic boundaries, heritage-making, ideological influences, nationalism, and global circulation. A merger of expert scholarship and eyewitness experience, Mongolian Sound Worlds illuminates a diverse and ever-changing musical culture"--
_cProvided by publisher.
530 _a2
_ub
650 0 _aMusic
_xSocial aspects
_zMongolia.
650 0 _aMusic
_xSocial aspects
_zChina
_zInner Mongolia.
650 0 _aMusic
_zMongolia
_xHistory and criticism.
650 0 _aMusic
_zChina
_zInner Mongolia
_xHistory and criticism.
650 0 _aMongols
_xMusic
_xHistory and criticism.
655 1 _aElectronic Books.
700 1 _aPost, Jennifer C.,
_e5
700 1 _aYoon, Sunmin,
_e5
700 1 _aD'Evelyn, Charlotte,
_e5
856 4 0 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password.
_uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3147589&site=eds-live&custid=s3260518
942 _cOB
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994 _a92
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999 _c80895
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902 _a1
_bCynthia Snell
_c1
_dCynthia Snell