000 | 04103cam a2200433 i 4500 | ||
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001 | on1249556734 | ||
003 | OCoLC | ||
005 | 20240726104844.0 | ||
008 | 210504s2021 bcca ob 000 0 eng | ||
040 |
_aNLC _beng _erda _epn _cNLC _dNLC _dOCLCF _dNT _dVTU _dYDX _dTEFOD _dTOH _dCCS _dOCLCO _dIAI |
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_a20210212500 _2can |
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020 |
_a9781551528656 _q((electronic)l(electronic)ctronic) |
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042 | _alac | ||
043 | _an-us-ca | ||
050 | 0 | 4 |
_aN8355 _b.C757 2021 |
049 | _aMAIN | ||
100 | 1 |
_aKafai, Shayda, _e1 |
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245 | 1 | 0 |
_aCrip kinship : _bthe disability justice & art activism of Sins Invalid / _cShayda Kafai. |
246 | 3 |
_aCrip kinship : _bthe disability justice and art activism of Sins Invalid |
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300 |
_a1 online resource (199 pages) : _billustrations |
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336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_aSins Invalid's origin story -- _tCreating crip-centric liberated zones -- _tIn love and community, like the trees -- _tStorytelling as activism, as crip-centric strategy -- _tArtmaking as evidence -- _tEducation bringing us home -- _tCrip kinship and cyber love -- _tCrip sex as transformative pleasure universe -- _tBeauty as liberation, as splendid crip future -- _tManifesting our collective futures -- _tEpilogue : why all this matters. |
520 | 0 |
_a"The remarkable story of Sins Invalid, a performance project that centres queer disability justice. In recent years, disability activism has come into its own as a vital and necessary means to acknowledge the power and resilience of the disabled community, and to call out ableist culture wherever it appears. Crip Kinship explores the art activism of Sins Invalid, a San Francisco Bay Area-based performance project, and its radical imaginings of what disabled, queer, trans, and gender-nonconforming bodyminds of colour can do: how they can rewrite oppression, and how they can gift us with transformational lessons for our collective survival. Grounded in the disability justice framework, Crip Kinship investigates the revolutionary survival teachings that disabled, queer of colour community offers to all our bodyminds. From their focus on crip beauty and sexuality to manifesting digital kinship networks and crip-centric liberated zones, Sins Invalid empowers and moves us toward generating our collective liberation from our bodyminds outward."-- _cProvided by publisher. |
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520 | 0 | _aIn recent years, disability activism has come into its own as a vital and necessary means to acknowledge the power and resilience of the disabled community, and to call out ableist culture wherever it appears. Crip Kinship explores the art-activism of Sins Invalid, a San Francisco Bay Area-based performance project, and its radical imaginings of what disabled, queer, trans, and gender nonconforming bodyminds of color can do: how they can rewrite oppression, and how they can gift us with transformational lessons for our collective survival. Grounded in their Disability Justice framework, Crip Kinship investigates the revolutionary survival teachings that disabled, queer of color community offers to all our bodyminds. From their focus on crip beauty and sexuality to manifesting digital kinship networks and crip-centric liberated zones, Sins Invalid empowers and moves us toward generating our collective liberation from our bodyminds outward. | |
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_a2 _ub |
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610 | 2 | 0 | _aSins Invalid (Organization) |
650 | 0 |
_aArtists with disabilities _zCalifornia _zSan Francisco. |
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650 | 0 |
_aArtists with disabilities _xPolitical activity _zCalifornia _zSan Francisco. |
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650 | 0 |
_aPolitical art _zCalifornia _zSan Francisco. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3068028&site=eds-live&custid=s3260518 |
942 |
_cOB _D _eEB _hN _m2021 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c80622 _d80622 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |