000 | 02925cam a2200433 i 4500 | ||
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001 | on1237650642 | ||
003 | OCoLC | ||
005 | 20240726104843.0 | ||
008 | 210205s2022 caua ob 001 0 eng | ||
010 | _a2021005331 | ||
040 |
_aDLC _beng _erda _cDLC _dOCLCO _dOCLCF _dNT _dYDX |
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020 |
_a9781503629561 _q((electronic)l(electronic)ctronic) |
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042 | _apcc | ||
050 | 0 | 4 |
_aBH221 _b.C757 2022 |
049 | _aMAIN | ||
100 | 1 |
_aDango, Michael, _e1 |
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245 | 1 | 0 |
_aCrisis style : _bthe aesthetics of repair / _cMichael Dango. |
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_aStanford, California : _bStanford University Press, _c(c)2022. |
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_a1 online resource : _billustrations. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aPost 45 | |
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505 | 0 | 0 |
_aStyles of repair -- _tDetox -- _tFilter -- _tBinge -- _tGhost -- _tAfterword : on ambivalence and promiscuous archives. |
520 | 0 |
_a"In this expansive and provocative new work, Michael Dango theorizes how aesthetic style manages crisis--and why taking crisis seriously means taking aesthetics seriously. Detoxing, filtering, binging, and ghosting: these are four actions that have come to define how people deal with the stress of living in a world that seems in permanent crisis. As Dango argues, they can also be used to describe contemporary art and literature. Employing what he calls "promiscuous archives," Dango traverses media and re-shuffles literary and art historical genealogies to make his case. The book discusses social media filters alongside the minimalism of Donald Judd and La Monte Young and the television shows West Wing and True Detective. It reflects on the modernist cuisine of Ferran AdriĆ and the fashion design of Issey Miyake. And, it dissects writing by Jenifer Egan, David Foster Wallace, David Mitchell, and Zadie Smith. Unpacking how the styles of these works detox, filter, binge, or ghost their worlds, Crisis Style is at once a taxonomy of contemporary cultural production and a theorization of action in a world always in need of repair. Ultimately, Dango presents a compelling argument for why we need aesthetic theory to understand what we're doing in our world today"-- _cProvided by publisher. |
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_a2 _ub |
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_aAesthetics, American _y20th century. |
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650 | 0 |
_aAesthetics, American _y21st century. |
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650 | 0 |
_aArts, American _y20th century. |
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650 | 0 |
_aArts, American _y21st century. |
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650 | 0 |
_aArts, Modern _xPhilosophy. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3050450&site=eds-live&custid=s3260518 |
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_cOB _D _eEB _hBH. _m2022 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c80579 _d80579 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |