000 01536cam a2200385Mi 4500
001 on1263873650
003 OCoLC
005 20240726104843.0
008 210814s2021 stk o ||| 0 eng d
040 _aEBLCP
_beng
_erda
_cEBLCP
_dYDX
_dJSTOR
_dOCLCO
_dEBLCP
_dOCLCF
_dNT
020 _a9781474481649
_q((electronic)l(electronic)ctronic)
050 0 4 _aPN56
_b.M634 2021
049 _aMAIN
100 1 _aGirdwood, Megan.
_e1
245 1 0 _aModernism and the Choreographic Imagination
_bSalome's Dance After 1890.
_c
300 _a1 online resource (251 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aEdinburgh Critical Studies in Modernism, Drama and Performance Ser.
500 _aDescription based upon print version of record.
504 _a2
520 0 _aAn account of Salome's dance and its centrality within modernist performance.
530 _a2
_ub
600 0 0 _aSalome
_c(Biblical figure)
650 0 _aModernism (Literature)
650 0 _aDance in literature.
650 0 _aChristian art and symbolism in literature.
655 1 _aElectronic Books.
856 4 0 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password.
_uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3030868&site=eds-live&custid=s3260518
942 _cOB
_D
_eEB
_hPN.
_m2021
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c80523
_d80523
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell