000 | 03204cam a2200469Ii 4500 | ||
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001 | on1240187797 | ||
003 | OCoLC | ||
005 | 20240726104839.0 | ||
008 | 210301s2018 enka fo 000 0 eng d | ||
040 |
_aDGLTH _beng _erda _epn _cDGLTH _dAUD _dOCLCF _dJSTOR _dEBLCP _dUKMGB _dNT _dDTM |
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_aGBB8I6755 _2bnb |
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016 | 7 |
_a019081346 _2Uk |
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020 |
_a9781784918545 _q((electronic)l(electronic)ctronic) |
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043 | _aaw----- | ||
050 | 0 | 4 |
_aDS62 _b.C667 2018 |
050 | 0 | 4 | _aDS56 |
049 | _aMAIN | ||
245 | 1 | 0 |
_aComposite artefacts in the Ancient Near East : _bexhibiting an imaginative materiality, showing a genealogical nature / _cedited by Silvana Di Paolo. |
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_aSummertown, Oxford : _bArchaeopress Publishing Ltd, _c(c)2018. |
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_a1 online resource (1 online resource (vi, 96 pages)) : _billustrations (black and white, and colour) |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_aArchaeopress ancient Near Eastern archaeology ; _v3 |
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500 | _aPreviously issued in print: 2018. | ||
504 | _a2 | ||
520 | 8 | _aThis volume represents a first attempt to conceptualise the construction and use of composite artefacts in the Ancient Near East by looking at the complex relationships between environments, materials, societies and materiality. | |
500 | _aAvailable through Archaeopress Digital Subscription Service. | ||
505 | 0 | 0 |
_aSilvana Di Paolo -- _tIntroduction: New Lines of Enquiry for Composite Artefacts?; Section 1. The Planning: Materiality and Imagination; Silvana Di Paolo -- _tFrom Hidden to Visible. Degrees of Mental and Material Construction of an 'Integrated Whole' in the Ancient Near East; Alessandro Di Ludovico -- _tA Composite Look at the Composite Wall Decorations in the Early History of Mesopotamia; Section 2. Symbols in Action; Chikako Watanabe -- _tComposite Animals Representing the Property of Thunder in Mesopotamia.; Elisa Roßberger -- _tShining, Contrasting, Enchanting: Composite Artefacts from the Royal Tomb of Qatna; Megan Cifarelli -- _tEntangled Relations over Geographical and Gendered Space: Multi-Component Personal Ornaments at Hasanlu; Section 3. Sum of Fragments, Sum of Worlds; Jean M. Evans -- _tComposing Figural Traditions in the Mesopotamian Temple; Frances Pinnock -- _tPolymaterism in Early Syrian Ebla; Anna Paule -- _tNear Eastern Materials, Near Eastern Techniques, Near Eastern Inspiration: Colourful Jewellery from Prehistoric, Protohistoric and Archaic Cyprus. |
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_a2 _ub |
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_aAntiquities _xSocial aspects _zMiddle East _xHistory _yTo 1500. |
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650 | 0 |
_aTechnology and civilization _xHistory _yTo 1500. |
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650 | 0 | _aMaterial culture. | |
655 | 1 | _aElectronic Books. | |
700 | 1 |
_aArchaeopress, _epublisher. |
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700 | 1 |
_aDi Paolo, Silvana, _e5 |
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856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2935335&site=eds-live&custid=s3260518 |
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_cOB _D _eEB _hDS. _m2018 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c80299 _d80299 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |