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001 | on1136477002 | ||
003 | OCoLC | ||
005 | 20240726104838.0 | ||
008 | 170605s2017 orua ob 001 0 eng d | ||
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_aSFB _beng _epn _erda _cSFB _dOCLCO _dOCLCF _dVLY _dYDX _dOCLCO _dOCLCQ _dNT |
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_a9780870719134 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aE76 _b.L445 2017 |
049 | _aMAIN | ||
100 | 1 |
_aKing, Lisa _q(Lisa Michelle), _e1 |
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_aLegible Sovereignties : _bRhetoric, Representations, and Native American Museums / _cLisa King. |
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_aCorvalis : _bOregon State University Press, _c(c)2017. |
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_a1 online resource (xii, 192 pages) : _billustrations |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_a"An interdisciplinary work that draws on the fields of rhetorical studies, Native American and Indigenous studies, and museum studies, Legible Sovereignties considers the creation, critical reception, and adaptation of Indigenous self-representation in three diverse Indigenously oriented or owned institutions. King tracks the exhibit spaces at the Saginaw Chippewa Indian Tribe of Michigan's Ziibiwing Center, Haskell Indian Nation University's Cultural Center and Museum, and the Smithsonian's Washington, DC branch of the National Museum of the American Indian over their first ten years, from their opening until the summer of 2014. Far from formulaic, each site has developed its own rhetorical approaches to reaching its public, revealing multiple challenges and successes in making Native self-representation legible and accessible. Through documentation and analysis of the inaugural exhibits and recent installations, interviews with curators and staff, and investigation into audience reception of these spaces, Legible Sovereignties argues that there can be no single blanket solution for effective Indigenous self-representation. Instead, Legible Sovereignties demonstrates the nuanced ways in which each site must balance its rhetorical goals and its audience's needs, as well as its material constraints and opportunities, in order to reach its visitors and have Indigenous voices heard"-- _cProvided by publisher |
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_aIntroduction: Rhetoric, sovereignty, and legibility in Native museums -- _tProtecting the knowledge, nurturing the community: The Ziibiwing Center of Anishinabe Culture and Lifeways -- _tConfronting history, celebrating the present: Haskell Cultural Center and Museum -- _tChallenging perception, educating a non-Native public: The National Museum of the American Indian -- _tConclusion: openings for legible sovereignties. |
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_aRhetoric _xSocial aspects. |
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_aIndians of North America _xMuseums _vCase studies. |
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655 | 1 | _aElectronic Books. | |
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_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2932190&site=eds-live&custid=s3260518 |
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_c80286 _d80286 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |