000 02297cam a2200421Mi 4500
001 on1243545828
003 OCoLC
005 20240726104836.0
008 210327s2021 stk o ||| 0 eng d
040 _aEBLCP
_beng
_erda
_cEBLCP
_dNT
_dOCLCO
_dJSTOR
_dOCLCF
_dYDX
020 _a9781474482745
_q((electronic)l(electronic)ctronic)
050 0 4 _aPN2101
_b.P474 2021
049 _aMAIN
245 1 0 _aPerforming Conversion :
_bCities, Theatre and Early Modern Transformations.
_c
300 _a1 online resource (218 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aConversions Ser.
500 _aDescription based upon print version of record.
504 _a2
505 0 0 _aIntro --
_tTitle page --
_tCopyright --
_tCONTENTS --
_tACKNOWLEDGEMENTS --
_tSERIES EDITORS' PREFACE --
_tCONTRIBUTORS --
_tINTRODUCTION: CONVERSION, CITIES AND THEATRE IN THE EARLY MODERN WORLD --
_t1 VENICE: THE CONVERTED CITY --
_t2 TURNINGS: MOTION AND EMOTION IN THE LABYRINTHS OF EARLY MODERN AMSTERDAM --
_t3 FRANCISCO CERVANTES DE SALAZAR'S MEXICO CITY IN 1554: A DRAMATURGY OF CONVERSION --
_t4 CONVERSIONAL THINKING AND THE LONDON STAGE --
_t5 RELIGIOUS DRAMA AND THE POLEMICS OF CONVERSION IN MADRID --
_t6 THEATRE AND CONVERSION IN EARLY MODERN ZÜRICH, BERNE AND LUCERNE
505 0 0 _a7 CONVERSIONAL ECONOMIES: THOMAS MIDDLETON'S CHASTE MAID IN CHEAPSIDE --
_tCODA: PERFORMING CONVERSION IN AN EARLY MODERN FUTURE --
_tINDEX
520 0 _aThis volume asks, how did theatrical practice shape the multiplying forms of conversion that emerged in early modern Europe?
530 _a2
_ub
650 0 _aTheater
_xHistory.
650 0 _aTheater
_xReligious aspects.
650 0 _aTheater and society.
650 0 _aConversion in literature.
655 1 _aElectronic Books.
700 1 _aJouve Martín, José Ramón.
700 1 _aWittek, Stephen.
856 4 0 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password.
_uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2898014&site=eds-live&custid=s3260518
942 _cOB
_D
_eEB
_hPN
_m2021
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c80159
_d80159
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell