000			01930cam a2200349Mi 4500
001			on1236263039
003			OCoLC
005			20240726104832.0
008			210206s2020 xx o ||| 0 eng d
040			_aEBLCP _beng _erda _cEBLCP _dYDX _dYDXIT _dOCLCO _dNT
020			_a9781527564275 _q((electronic)l(electronic)ctronic)
050	0	4	_aN7401 _b.M355 2020
049			_aMAIN
100	1		_aGeissler, Marie. _e1
245	1	0	_aThe Making of Indigenous Australian Contemporary Art : _bArnhem Land Bark Painting, 1970-1990. _c
260			_aNewcastle-upon-Tyne : _bCambridge Scholars Publisher, _c(c)2020.
300			_a1 online resource (228 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
500			_aDescription based upon print version of record.
504			_a2
520	0		_aThis publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert a.
530			_a2 _ub
650		0	_aIndigenous art _zAustralia.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2739641&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hN _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c79950 _d79950
902			_a1 _bCynthia Snell _c1 _dCynthia Snell