000			02943cam a2200409 i 4500
001			on1158508216
003			OCoLC
005			20240726104830.0
008			200611s2021 inua ob 001 0 eng
010			_a2020026119
040			_aDLC _beng _erda _cDLC _dOCLCO _dOCLCF _dYDX _dEBLCP _dOCLCO _dYDX _dOCLCO _dNT _dJSTOR _dOCLCQ
020			_a9780253053695 _q((electronic)l(electronic)ctronic)
042			_apcc
043			_af-sa---
050	0	4	_aGV1785 _b.J397 2021
049			_aMAIN
100	1		_aKatrak, Ketu H., _e1
245	1	0	_aJay Pather, performance, and spatial politics in South Africa /Ketu H. Katrak.
300			_a1 online resource (xxxi, 397 pages) : _bcolor illustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aAfrican expressive cultures
504			_a2
505	0	0	_aJourneys across Political, Socio-racial, and Geographic Borderlines: Interconnecting the Present, Past, and Future -- _tThe Transitional and the In-between: Theoretical and Creative Engagements with Urban Geography (2000-2015) -- _tCuratorial Choreographies: Challenges of Curating Public Art Festivals (2007-Present)
520	0		_a"Jay Pather, Performance and Spatial Politics in South Africa offers the first full-length monograph on the award-winning choreographer, theater director, curator, and creative artist in contemporary global performance. Working within the contexts of African studies, dance, theater, and performance, Ketu H. Katrak explores the extent of Pather's productive career but also places him and his work in the South African and global arts scene, where he is considered a visionary. Pather, a South African of Indian heritage, is known as a master of space, site, and location. Katrak examines how Pather's performance practices place him in the center of global trends that are interdisciplinary, multidisciplinary, collaborative, and multimedia and that cross borders between dance, theater, visual art, and technology. Jay Pather, Performance and Spatial Politics in South Africa offers a vision of an artist who is strategically aware of the spatiality of human life, who understands the human body as the nation's collective history, and who is a symbol of hope and resilience after the trauma of violent segregation"-- _cProvided by publisher.
530			_a2 _ub
600	1	0	_aPather, Jay _xCriticism and interpretation.
650		0	_aChoreographers _zSouth Africa.
650		0	_aArts _xPolitical aspects _zSouth Africa.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2708166&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hGV. _m2021 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c79833 _d79833
902			_a1 _bCynthia Snell _c1 _dCynthia Snell