000 | 04152cam a2200469Ki 4500 | ||
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001 | on1191468078 | ||
003 | OCoLC | ||
005 | 20240726104824.0 | ||
008 | 200602t20202020deu o 000 0 eng d | ||
010 | _z2020024184 | ||
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_aP@U _beng _erda _cP@U _dOCLCO _dNT _dYDX _dYDXIT _dJSTOR |
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_a9781644531891 _q((electronic)l(electronic)ctronic) |
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043 | _ae-it--- | ||
050 | 0 | 4 |
_aPQ4080 _b.I566 2020 |
049 | _aMAIN | ||
245 | 1 | 0 | _aInnovation in the Italian Counter-Reformation /edited by Shannon McHugh and Anna Wainwright. |
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_aNewark : _bUniversity of Delaware Press, _c(c)2020. |
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300 | _a1 online resource | ||
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aThe early modern exchange | |
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_aPreface / _rAmedeo Quondam -- _tFoundations. Virginia Cox: Re-Thinking Counter-Reformation Literature -- _tLisa Bourla: Scientific Discovery in Florentine Painting of the Counter-Reformation: Cigoli's Martyrdom of St. Lawrence (1590) and Stigmatizations of St. Francis (1596 and 1602) -- _tGender. Gerry Milligan: The Armed Maiden of the Sixteenth Century and the Unmaking of Tasso's Clorinda -- _tAnna Wainwright: The Fair Warrior in the City of Florence: Maddalena Salvetti's Poems to Christine of Lorraine -- _tShannon McHugh: Devotion, Desire, and Masculinity in the Spiritual Verse of Angelo Grillo -- _tTheater. Eugenio Refini: Reforming Drama: Theater as Spiritual Practice in the Works of Fabio Glissenti -- _tLisa Sampson: "Deggio ferma tener la santa fede": Representing the Priest in Pastoral Drama in Counter-Reformation Italy -- _tSarah Gwyneth Ross: Playing Milan: Secular Drama, Sacred Reform, and the Family Andreini -- _tBologna: A City Case Study. Gabriella Zarri: Bologna, Marian City in the Drawings of Francesco Cavazzoni (1559-1616) -- _tMonica Calabritto: Violence in Early Modern Bologna: A Provsional Appraisal -- _tEmotion and Expression. Armando Maggi: Tasso's Poetic Self-Commentary, His Dialogues, and a New Philosophical Syncretism: The Last Phase of the Renaissance Love Treatises -- _tJoseph Perna: Girolamo Mei, Early Opera, and Experience -- _tLynn Westwater: "Sottoporsi agli occhi del mondo nelle stampe": Sarra Copia Sulam and the Venetian Press. |
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_a"The enduring "black legend" of the Italian Counter-Reformation, which has held sway in both scholarly and popular culture, maintains that the Council of Trent (1545-1563) ushered in a cultural dark age in Italy, snuffing out the spectacular creative production of the Renaissance. The repercussions of this cliche continue to be felt in literary studies in particular. As a result, the decades following Trent have been mostly overlooked in Italian literary studies. The thirteen essays of Innovation in the Italian Counter-Reformation present a radical reconsideration of literary production in post-Tridentine Italy. With particular attention to the much-maligned tradition of spiritual literature, the volume's contributors weave literary analysis together with religion, theater, art, music, science, and gender to demonstrate that the literature of this period not only merits study, but is positively innovative"-- _cProvided by publisher. |
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_a2 _ub |
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650 | 0 |
_aCounter-Reformation _zItaly. |
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650 | 0 | _aCounter-Reformation in art. | |
650 | 0 |
_aArts, Italian _y16th century. |
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650 | 0 | _aChristianity in literature. | |
650 | 0 |
_aReligion and literature _zItaly _xHistory _y16th century. |
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650 | 0 |
_aReligious literature, Italian _xHistory and criticism. |
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650 | 0 |
_aItalian literature _y16th century _xHistory and criticism. |
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655 | 1 | _aElectronic Books. | |
700 | 1 |
_aMcHugh, Shannon, _e5 |
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700 | 1 |
_aWainwright, Anna, _e5 |
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856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2578807&site=eds-live&custid=s3260518 |
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_cOB _D _eEB _hPQ _m2020 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c79486 _d79486 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |