000			03494cam a2200409 i 4500
001			on1190776864
003			OCoLC
005			20240726104823.0
008			200826s2020 xx o 000 0 eng d
040			_aTYFRS _beng _erda _epn _cTYFRS _dTYFRS _dOCLCF _dK6U _dOCLCO _dOCLCQ _dOCLCO _dOCLCQ _dNT
020			_a9781474243971 _q((electronic)l(electronic)ctronic)
020			_a9781003103868 _q((electronic)l(electronic)ctronic)
050	0	4	_aTR820 _b.P835 2020
049			_aMAIN
100	1		_aLinkof, Ryan, _e1
245	1	0	_aPublic images : _bcelebrity, photojournalism, and the making of the tabloid press / _cRyan Linkof.
260			_aAbingdon, Oxon : _bRoutledge, _c(c)2020.
300			_a1 online resource (256 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aPhotography, History: History, Photography
500			_a"First published 2018 by Bloomsbury Academic."
504			_a2
505	0	0	_a1. "For those who could see but could not read": Photojournalism in London, 1904-19382. Shooting People: The Press Photographer and the Candid Portrait 3. Snapping the Royals: The Press Photographer and the Challenge to the British Monarchy4. Spectacular "Society": Celebrity and Aristocratic Decline in the Photographic Press5. "The snapshots of press photographers are governed by no law": The Tabloid Photographer and the Right to Privacy.
520	0		_aThe stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever. Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.
530			_a2 _ub
650		0	_aPhotojournalism _xSocial aspects.
650		0	_aTabloid newspapers _xHistory.
650		0	_aCelebrities.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2567286&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hTR _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c79450 _d79450
902			_a1 _bCynthia Snell _c1 _dCynthia Snell