000			03091cam a2200481 i 4500
001			on1154564495
003			OCoLC
005			20240726104821.0
008			200419s2020 ne a ob 001 0 eng
010			_a2020007383
040			_aDLC _beng _erda _cDLC _dNT _dEBLCP _dUKAHL _dOCLCO _dYDX
020			_a9789027261137 _q((electronic)l(electronic)ctronic)
020			_a902726113X _q((electronic)l(electronic)ctronic)
042			_apcc
043			_ae-uk---
050	0	4	_aPN1992 _b.P539 2020
049			_aMAIN
100	1		_aJongste, Henri de, _e1
245	1	0	_aPlaying with mental models : _bhumour in the BBC comedy series The office / _cHenri de Jongste.
260			_aAmsterdam ; _bPhiladelphia : _c(c)2020.
260			_bJohn Benjamins Publishing Company, _c(c)2020.
300			_a1 online resource (xv, 301 pages) : _billustrations (some color.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aTopics in humor research (THR) ; _vvolume 9
504			_a2
505	0	0	_aConstructing mental models -- _tProperties of mental models -- _tMental models and The office -- _tHumour theories and mental models (1) -- _tHumour theories and mental models (2) -- _tPlaying with private mental models -- _tPlaying with presenting public mental models -- _tPlaying with negotiating public mental models -- _tCharacter personalities -- _tConcluding remarks.
520	0		_a"In this book, the author uses a mental-model theory of communication to investigate the acclaimed British situation comedy The Office. The approach taken is multi-disciplinary, and focuses on questions as: What are mental models and what role do they play in communication in general, and in creating and watching The Office in particular? Whose mental models are involved in creating and watching The Office? How do these mental models relate to each other? How exactly do the creators of The Office and their audience engage in constructing, exchanging and coordinating mental models? How do mental models and their comic use relate to humour and humour theories and what is the nature of play in the deployment of mental models in comedy? The book is aimed at humour scholars from various backgrounds and at people interested in communication in general"-- _cProvided by publisher.
530			_a2 _ub
630	0	0	_aOffice (Television program : Great Britain)
650		0	_aSituation comedies (Television programs) _zGreat Britain _xHistory and criticism.
650		0	_aWit and humor _xPsychological aspects.
650		0	_aTelevision viewers _xPsychology.
650		0	_aMental representation.
650		0	_aCognition and culture.
655		1	_aElectronic Books.
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2494126&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hPN.. _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c79344 _d79344
902			_a1 _bCynthia Snell _c1 _dCynthia Snell