000 | 02052cam a2200409Mi 4500 | ||
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001 | on1024231526 | ||
003 | OCoLC | ||
005 | 20240726104820.0 | ||
008 | 180224s2014 enk o 000 0 eng d | ||
040 |
_aEBLCP _beng _epn _erda _cEBLCP _dOCLCQ _dNT |
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020 |
_a9781472574442 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aPR8669 _b.C668 2014 |
049 | _aMAIN | ||
100 | 1 |
_aBeaton, Alistair. _e1 |
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245 | 1 | 0 |
_aContemporary Scottish Plays : _bCaledonia ; Bullet Catch ; The Artist Man and Mother Woman ; Narrative ; Rantin. _c |
260 |
_aLondon : _bBloomsbury Publishing UK, _c(c)2014. |
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300 | _a1 online resource (375 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aPlay Anthologies | |
504 | _a2 | ||
520 | 0 | _aTo paraphrase Alistair Beaton's Caledonia - the first play in this collection - 'The English have anthologies, the Spanish have anthologies, the French have anthologies ... why should not Scotland have its anthology?' Scotland is entering a crucial period in its history, where its identity is being debated daily, from everyday conversation to the national and international press. At the same time, its theatre is resurgent, with key Scottish playwrights, theatres and theatre companies expanding their performance vocabularies while coming to prominence in national and international contexts. | |
530 |
_a2 _ub |
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650 | 0 |
_aEnglish drama _xScottish authors. |
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655 | 1 | _aElectronic Books. | |
700 | 1 | _aDrummond, Rob. | |
700 | 1 | _aPearson, Morna. | |
700 | 1 | _aNeilson, Anthony. | |
700 | 1 | _aHurley, Kieran. | |
700 | 1 | _aReid, Trish. | |
856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2444859&site=eds-live&custid=s3260518 |
942 |
_cOB _D _eEB _hPR. _m2014 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c79253 _d79253 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |