000			04602cam a2200433 i 4500
001			on1127288612
003			OCoLC
005			20240726104819.0
008			191112s2020 onca ob 001 0 eng
040			_aNLC _beng _erda _cNLC _dOCLCF _dNT _dYDX _dNT _dEBLCP _dJSTOR _dUKAHL _dCELBN _dYDX
015			_a20190224010 _2can
020			_a9781487519674 _qEPUB
020			_a9781487519667 _q((electronic)l(electronic)ctronic)
042			_alac
050	0	4	_aPQ6059 _b.G663 2020
049			_aMAIN
245	1	0	_aGoodbye Eros : _brecasting forms and norms of love in the age of Cervantes / _cedited by Ana María Laguna and John Beusterien.
260			_aToronto ; _aBuffalo ; _aLondon : _bUniversity of Toronto Press, _c(c)2020.
300			_a1 online resource (281 pages) : _billustrations (some color).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aToronto Iberic ; _v48
504			_a2
520	0		_a"Traditional Petrarchan and Neoplatonic paradigms of love started to show clear signs of inadequacy and exhaustion in the sixteenth century. How did the Spanish Golden Age recast worn out discourses of love and make them compelling again? This volume explores how Spanish letters recognized that old love paradigms, especially the crisis of the subject, presented an extraordinary opportunity for revising traditional literary strictures. As a result, during Spain's nascent modernity, literature took up the challenge to expand existing forms of desire and subjectivity. A range of scholars show how canonical and non-canonical Golden Age writers like Miguel de Cervantes, Diego Hurtado de Mendoza, Francisco de Quevedo, Luis de Góngora, Lope de Vega, and Francisco de la Torre y Sevil became equal agents of the sweeping ontological reconfiguration of the idea of eros that defined their culture. Such reconfiguration includes: the troubling displacement of "self" and "other" seen in sentimental genres like the pastoral or romance; the overlapping of emotions such as love and jealousy characteristic of the baroque lyric and dramatic production; and the conflation of axioms such as eros and eris prevalent in contemporaneous epic experiments. In uniting the findings of often surprising texts, the collection of essays in Goodbye Eros takes a pioneering look at how Golden Age moral, ideological, scientific, and literary discourses intersected to create fascinating re-elaborations of the trope of love."-- _cProvided by publisher.
505	0	0	_aCover -- _tTitle Page -- _tCopyright -- _tContents -- _tList of Illustrations -- _tAcknowledgments -- _tIntroduction: Eros in the Age of Cervantes -- _tPart I Ambiguous Optics: Reframing Perception, Gender Subjectivity, and Genre Convention -- _t1 Egocentricity versus Persuasion: Eros, Logos, and Pathos in Cervantes's Marcela and Grisóstomo Episode -- _t2 The Deceived Gaze: Visual Fantasy, Art, and Feminine Adultery in Cervantes's Reading of Ariosto -- _tPart II Reasoning the Unreasonable: Toward a Rationale of Love -- _t3 El Greco's and Cervantes's Euclidean Theologies
505	0	0	_a4 Love and the Laws of Literature: The Ethics and Poetics of Affect in Cervantes's "The Little Gypsy Girl" -- _t5 Eros and Ethos in the Political and Religious Logos of The Trials of Persiles and Sigismunda: Anomic Characters in Cervantes -- _tPart III Kissing between the Lines: Blurring Racial and Sexual Norms -- _t6 Sexy Beasts: Women and Lapdogs in Baroque Satirical Verse -- _t7 Sexual Deviance and Morisco Marginality in Cervantes's The Trials of Persiles and Sigismunda -- _t8 The Black Madonna Icon: Race, Rape, and the Virgin of Montserrat in The Confession with the Devil by Francisco de Torre y Sevil
505	0	0	_aPart IV Recasting Epic and Heroic Moulds -- _t9 For Love of the White Sea: The Curious Identity of Uludj Ali -- _t10 Writing a Tragic Image: Eros and Eris in Lope de Vega's Jerusalem Conquered -- _t11 The Unromantic Approach to Don Quixote: Cervantine Love in the Spanish Post-War Age -- _tContributors -- _tIndex
530			_a2 _ub
650		0	_aLove in literature.
655		1	_aElectronic Books.
700	1		_aLaguna, Ana María G., _d1971- _e5
700	1		_aBeusterien, John, _e5
856	4	0	_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2422538&site=eds-live&custid=s3260518
942			_cOB _D _eEB _hPQ _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c79231 _d79231
902			_a1 _bCynthia Snell _c1 _dCynthia Snell