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001 | on1159786679 | ||
003 | OCoLC | ||
005 | 20240726104819.0 | ||
008 | 090713s2020 nyuab ob 001 0 eng d | ||
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_aRECBK _beng _erda _cRECBK _dOCLCF _dOCLCO _dNT _dEBLCP _dNT _dDEGRU _dUKAHL _dJSTOR |
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_a9780231552653 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aHV6603 _b.L588 2020 |
049 | _aMAIN | ||
100 | 1 |
_aDoherty, Thomas, _e1 |
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_aLittle Lindy is kidnapped : _bhow the media covered the crime of the century / _cThomas Doherty. |
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_aNew York City : _bColumbia University Press, _c(c)2020. |
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_a1 online resource : _billustrations, maps. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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520 | 0 | _aThe biggest crime story in American history began on March 1, 1932, when the twenty-month-old child of Charles and Anne Lindbergh was snatched from his crib in Hopewell, New Jersey. The news shocked a nation enamored of the famous aviator, the first to fly solo nonstop across the Atlantic. Virtually every police officer in the area was dispatched to return 'Little Lindy' to the arms of his parents'and perhaps even more energized were the legions of journalists catering to a public whose appetite for Lindbergh news was insatiable. In Little Lindy Is Kidnapped, Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction and its aftermath. Beginning with Lindbergh's ascent to fame and proceeding through the trial and execution of the accused perpetrator, Doherty traces how newspapers, radio, and newsreels reported on what was dubbed the 'crime of the century.' He casts the kidnapping as a transformative moment for American journalism, analyzing how the case presented new challenges and opportunities for each branch of the media in the days before the rise of television. Coverage of the Lindbergh story, Doherty reveals, set the script for the way the media would treat breaking news for decades to come. An engrossing account of one of American history's most breathlessly covered cases, Little Lindy Is Kidnapped sheds new light on an enduring quality of journalism ever since: the media's eye on a crucial part of the story'itself. | |
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_tFrontmatter -- _tCONTENTS -- _tA PREFATORY NOTE -- _tPROLOGUE -- _tChapter 1. THE CRIME OF THE CENTURY -- _tChapter 2. A STORY THAT PENETRATED THE THICKEST SKIN -- _tChapter 3. A MEDIUM OF AUDIBLE JOURNALISM -- _tChapter 4. NOBODY EVER WALKED OUT ON A NEWSREEL -- _tChapter 5. GET THE LINDBERGH KILLERS! -- _tChapter 6. HOLLYWOOD AND THE LINDBERGH KIDNAPPING -- _tChapter 7. THE GREATEST MURDER TRIAL THE WORLD HAS EVER KNOWN -- _tChapter 8. INTO THE ETHER -- _tChapter 9. THE EYE AND EAR OF MILLIONS -- _tChapter 10. THE VERDICT -- _tChapter 11. DEATH WATCH -- _tEPILOGUE. The Legacies of the Crime of the Century -- _tTHANKS AND ACKNOWLEDGMENTS -- _tNOTES -- _tINDEX |
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_a2 _ub |
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_aLindbergh, Charles Augustus, _d1930-1932 _xKidnapping _xPress coverage. |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password. _uhttpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2399448&site=eds-live&custid=s3260518 |
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_cOB _D _eEB _hHV. _m2020 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c79206 _d79206 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |